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Alfred Novello an Felix Mendelssohn Bartholdy in Leipzig <lb></lb>London, 4. Februar 1841 I am glad to hear you have made additions which please you to your Symphonia Cantata – but pray my dear Sir – send it off to us – as we are all longing They Felix Mendelssohn Bartholdy Correspondence Online (FMB-C) Felix Mendelssohn Bartholdy an Alfred Novello in London; Leipzig, 24. Januar 1841 Felix Mendelssohn Bartholdy an Alfred Novello in London (?); Leipzig, 20. Februar 1841 Novello, Joseph Alfred (1810-1896)Novello, Joseph Alfred (1810-1896) Transkription: FMB-C Edition: FMB-C Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin
Am Kupfergraben 5 10117 Berlin Deutschland
http://www.mendelssohn-online.com Creative Commons Attribution 4.0 International (CC BY 4.0)

Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)

Großbritannien Oxford GB-Ob Oxford, Bodleian Library Music Section M.D.M. d. 39/59. Autograph Alfred Novello an Felix Mendelssohn Bartholdy in Leipzig; London, 4. Februar 1841 I am glad to hear you have made additions which please you to your Symphonia Cantata – but pray my dear Sir – send it off to us – as we are all longing They

1 Doppelbl.: S. 1-3 Brieftext; S. 4 Adresse, Siegel, von fremder Hand: »4 Alfred Novello«. Der Brief ist vollständig in lateinischen Buchstaben geschrieben.

Alfred Novello.

Green Books

Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.

Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.

4. Februar 1841 Novello, Joseph Alfred (1810-1896)counter-resetNovello, Joseph Alfred (1810-1896) LondonGroßbritannien Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) LeipzigDeutschland englisch
Dr Felix Mendelssohn Bartholdy Leipzig
auf S. 4: »Alfred Novello«.
Novello, Joseph Alfred (1810-1896) Novello, Joseph Alfred (1810-1896) London 69 Dean St Soho Feby 4/41 My dear Sir

I am glad to hear you have made additions which please you to your Symphonia Cantatayou have made additions which please you to your Symphonia Cantata – Mendelssohn hatte in seinem Brief fmb-1841-01-24-06 vom 24. Januar 1841 Alfred Novello über den in Arbeit befindlichen Klavierauszug des Lobgesangs op. 52 informiert. – but pray my dear Sir – send it off to us – as we are all longing. They want to do it at the PhilharmonicPhilharmonic SocietyLondonGroßbritannien: for which an Chorus will be engaged. and I am sure they will do it this time. There are some bars wanting in the P.F. account? the 114! Psalm<list style="hidden" type="fmb_works_directory" xml:id="title_stx0q28k-pz3k-lc8o-ehvl-tqda4nnfxyu7"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100117" style="hidden">Der 114. Psalm »Da Israel aus Ägypten zog« für gemischten Chor, Orchester und Orgel, [Ende Juli 1839] bis 9. August 1839; Revision 1840<idno type="MWV">A 17</idno><idno type="op">51</idno></name> of which I put the particulars in my |2| last letter <name key="PSN0113624" style="hidden" type="author">Novello, Joseph Alfred (1810-1896)</name> <name key="gb-1840-11-27-02" style="hidden" type="letter">Alfred Novello an Felix Mendelssohn Bartholdy in Leipzig; London, 27. November 1840</name> , please read it over if you have not look it – We have each been such miners in the way of bad correspondance that we must say, as Peachum says to Locket in “<title xml:id="title_c2415824-69e7-45bb-b1d4-58c6680aaac0">Gay’s Beggars Opera<name key="PSN0120251" style="hidden" type="author">Pepusch, Johann Christoph (1667–1752)</name><name key="CRT0112915" style="hidden" type="music">The Beggar’s Opera</name>Gay, John (1685–1732)The Beggar’s Opera (Libretto)”: “Brother, Brother we are both in the wrong” but I will set a good example and never complain again. – Pray answer me as to your wishes with regard to the dedication of the 114th Psalm – Our kind friend Mr. KlingemannKlingemann, Ernst Georg Carl Christoph Konrad (1798-1862) gave me news of you within a few days, but he told me it was very slow in its journey – We have |3| been quite stagnant us to music since you hence left us exceptsince you hence left us except – Gemeint ist Mendelssohns sechste Englandreise vom 11. September bis 9. Oktober 1840 nach Birmingham und London im Rahmen des Birmingham Triennial Music Festivals, das unter seiner Leitung stattfand. the Messiah<name key="PSN0111693" style="hidden" type="author">Händel, Georg Friedrich (1685–1759)</name><name key="CRT0108996" style="hidden" type="music">Messiah HWV 56</name> which is often done at yours. – Your St Paul<list style="hidden" type="fmb_works_directory" xml:id="title_ft1nnvk9-qvtf-zkop-ao6y-qbba6gxf727f"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100114" style="hidden">Paulus / St. Paul, Oratorium nach Worten der Heiligen Schrift für Solostimmen, gemischten Chor, Orchester und Orgel, [1832] bis 18. April 1836<idno type="MWV">A 14</idno><idno type="op">36</idno></name> was performed at BathBathGroßbritannien with much effect on yours eve and it is to be done on as large scale at ManchesterManchesterGroßbritannien at Easter. – Mr. MoschelesMoscheles, Ignaz (Isack) (1794-1870) & BenedictBenedict, (seit 1871) Sir Julius (Jules) (vorh. Isaac) (1804-1885) have been establishing a society something like the King SchoolKöniglich Preußische Akademie der KünsteBerlinDeutschland in BerlinBerlinDeutschland, which is held at Mr Errards Érards Érard, Jean-Baptiste Orphée Pierre (1794-1855) rooms. And we have formed a very nice society of 20 of the principal Vocalists for the private practise of concerted music – we are to meet once a week during the season – All my family are quite well and quite will me in kind remembrance to you and yours. Believe me yours faithfully.

J Alfred Novello.
Novello, Joseph Alfred (1810-1896) Novello, Joseph Alfred (1810-1896)

W.H.H. PearsonPearson, Henry Hugh (auch: Heinrich Hugo Pierson; Pseud.: Edgar Mansfeld) (1815-1873) has been staying in LeipzigLeipzigDeutschland a great admirer of yours and a very clever amateur. what do you think of him? –

            London 69 Dean St Soho Feby 4/41 My dear Sir
I am glad to hear you have made additions which please you to your Symphonia Cantata – but pray my dear Sir – send it off to us – as we are all longing. They want to do it at the Philharmonic: for which an Chorus will be engaged. and I am sure they will do it this time. There are some bars wanting in the P. F. account? the 114! Psalm of which I put the particulars in my last letter, please read it over if you have not look it – We have each been such miners in the way of bad correspondance that we must say, as Peachum says to Locket in “Gay’s Beggars Opera”: “Brother, Brother we are both in the wrong” but I will set a good example and never complain again. – Pray answer me as to your wishes with regard to the dedication of the 114th Psalm – Our kind friend Mr. Klingemann gave me news of you within a few days, but he told me it was very slow in its journey – We have been quite stagnant us to music since you hence left us except the Messiah which is often done at yours. – Your St Paul was performed at Bath with much effect on yours eve and it is to be done on as large scale at Manchester at Easter. – Mr. Moscheles & Benedict have been establishing a society something like the King School in Berlin, which is held at Mr rooms. And we have formed a very nice society of 20 of the principal Vocalists for the private practise of concerted music – we are to meet once a week during the season – All my family are quite well and quite will me in kind remembrance to you and yours. Believe me yours faithfully.
J Alfred Novello.
W. H. H. Pearson has been staying in Leipzig a great admirer of yours and a very clever amateur. what do you think of him? –          
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Januar 1841 Alfred Novello über den in Arbeit befindlichen Klavierauszug des Lobgesangs op. 52 informiert.</note> – but pray my dear Sir – send it off to us – as we are all longing<add resp="FMBC" type="editors_addition">.</add> They want to do it at the <placeName xml:id="placeName_debcdce7-b3bb-408d-8fc5-776177e96a0f">Philharmonic<name key="NST0100287" style="hidden" subtype="" type="institution">Philharmonic Society</name><settlement key="STM0100126" style="hidden" type="locality">London</settlement><country style="hidden">Großbritannien</country></placeName>: for which an Chorus will be engaged. and I am sure they will do it this time. There are some bars wanting in the P.F. account? <gap quantity="1" reason="covering" unit="words"></gap> <title xml:id="title_34ed6d72-504b-423f-9fec-bc6cd4e6bc93">the 114! Psalm<list style="hidden" type="fmb_works_directory" xml:id="title_stx0q28k-pz3k-lc8o-ehvl-tqda4nnfxyu7"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100117" style="hidden">Der 114. Psalm »Da Israel aus Ägypten zog« für gemischten Chor, Orchester und Orgel, [Ende Juli 1839] bis 9. August 1839; Revision 1840<idno type="MWV">A 17</idno><idno type="op">51</idno></name></title> of which I put the particulars in my<seg type="pagebreak"> |2|<pb n="2" type="pagebreak"></pb></seg> <title xml:id="title_2babd52b-5090-4edd-bc22-f1b02b00561a">last letter <name key="PSN0113624" style="hidden" type="author">Novello, Joseph Alfred (1810-1896)</name> <name key="gb-1840-11-27-02" style="hidden" type="letter">Alfred Novello an Felix Mendelssohn Bartholdy in Leipzig; London, 27. November 1840</name> </title>, please read it over if you have not look it – We have each been such <unclear reason="uncertain_reading" resp="FMBC">miners</unclear> in the way of bad correspondance that we must say, as Peachum says to Locket in “<title xml:id="title_4e33882f-3f01-48c4-8506-431819a7b03c"><title xml:id="title_c2415824-69e7-45bb-b1d4-58c6680aaac0">Gay’s Beggars Opera<name key="PSN0120251" style="hidden" type="author">Pepusch, Johann Christoph (1667–1752)</name><name key="CRT0112915" style="hidden" type="music">The Beggar’s Opera</name></title><name key="PSN0120252" style="hidden" type="author">Gay, John (1685–1732)</name><name key="CRT0112914" style="hidden" type="dramatic_work">The Beggar’s Opera (Libretto)</name></title>”: “Brother, Brother we are both in the wrong” but I will set a good example and never complain again. – Pray answer me as to your wishes with regard to the dedication of the 114<hi rend="superscript">th</hi> Psalm – Our kind friend Mr. <persName xml:id="persName_ac13934d-37b7-4edd-861f-da6c1ca27222">Klingemann<name key="PSN0112434" style="hidden" type="person">Klingemann, Ernst Georg Carl Christoph Konrad (1798-1862)</name></persName> gave me news of you within a few days, but he told me it was very slow in its journey – We have<seg type="pagebreak"> |3|<pb n="3" type="pagebreak"></pb></seg> been quite stagnant us to music since you hence left us except<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_f04f437f-321f-475c-bcd1-3bb68371a7be" xml:lang="de">since you hence left us except – Gemeint ist Mendelssohns sechste Englandreise vom 11. September bis 9. Oktober 1840 nach Birmingham und London im Rahmen des Birmingham Triennial Music Festivals, das unter seiner Leitung stattfand. </note> the <title xml:id="title_bcafcd7d-ab2e-4c65-ab76-5c6623499084">Messiah<name key="PSN0111693" style="hidden" type="author">Händel, Georg Friedrich (1685–1759)</name><name key="CRT0108996" style="hidden" type="music">Messiah HWV 56</name></title> which is often done at yours. – Your <title xml:id="title_2c30f666-f7d5-4388-b9c7-b6328f5ad083">St Paul<list style="hidden" type="fmb_works_directory" xml:id="title_ft1nnvk9-qvtf-zkop-ao6y-qbba6gxf727f"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100114" style="hidden">Paulus / St. Paul, Oratorium nach Worten der Heiligen Schrift für Solostimmen, gemischten Chor, Orchester und Orgel, [1832] bis 18. April 1836<idno type="MWV">A 14</idno><idno type="op">36</idno></name></title> was performed at <placeName xml:id="placeName_fba57918-5c7e-4f05-9e89-6ca94c8751ec">Bath<settlement key="STM0100668" style="hidden" type="locality">Bath</settlement><country style="hidden">Großbritannien</country></placeName> with much effect on yours eve and it is to be done on as large scale at <placeName xml:id="placeName_a1896e13-a2ce-41f4-8cf2-8fb2ea6f9edb">Manchester<settlement key="STM0100186" style="hidden" type="locality">Manchester</settlement><country style="hidden">Großbritannien</country></placeName> at <date cert="high" when="1841-04-11" xml:id="date_6051f426-49d9-434c-ae14-9948a8cf8191">Easter</date>. – Mr. <persName xml:id="persName_435c1864-3e32-4760-867d-99a69ccf7805">Moscheles<name key="PSN0113441" style="hidden" type="person">Moscheles, Ignaz (Isack) (1794-1870)</name></persName> &amp; <persName xml:id="persName_52d0de65-f62e-43a9-accf-45c4b04f9ac7">Benedict<name key="PSN0109851" style="hidden" type="person">Benedict, (seit 1871) Sir Julius (Jules) (vorh. Isaac) (1804-1885)</name></persName> have been establishing a society something like the <placeName xml:id="placeName_0cbd75b8-0aa4-4781-a787-986ee208f5e2">King School<name key="NST0100722" style="hidden" subtype="Sektion Musik" type="institution">Königlich Preußische Akademie der Künste</name><settlement key="STM0100101" style="hidden" type="locality">Berlin</settlement><country style="hidden">Deutschland</country></placeName> in <placeName xml:id="placeName_84871366-34da-41e0-b22b-7b12ee69f6c6">Berlin<settlement key="STM0100101" style="hidden" type="locality">Berlin</settlement><country style="hidden">Deutschland</country></placeName>, which is held at Mr <persName xml:id="persName_f7eb7ccb-17e4-4fed-9a25-3c3b3cd8bce0"><choice resp="editor" source="autograph_edition_template" xml:id="choice_99081481-7521-4827-8a42-5501097fe620"> <sic resp="writer">Errards</sic> <corr resp="editor">Érards</corr> </choice><name key="PSN0110924" style="hidden" type="person">Érard, Jean-Baptiste Orphée Pierre (1794-1855)</name></persName> rooms. And we have formed a very nice society of 20 of the principal Vocalists for the private practise of concerted music – we are to meet once a week during the season – All my family are quite well and quite will me in kind remembrance to you and yours. Believe me yours faithfully.</p> <signed rend="right">J Alfred Novello.</signed> </div> <div n="2" type="act_of_writing" xml:id="div_c6da6bfa-2189-4166-b5d4-b6d74df504e8"> <docAuthor key="PSN0113624" resp="author" style="hidden" xml:id="docAuthor_3d3b32ef-2ae1-4d4f-a011-2594c165e049">Novello, Joseph Alfred (1810-1896)</docAuthor> <docAuthor key="PSN0113624" resp="writer" style="hidden" xml:id="docAuthor_417557bd-fcc7-4c33-8a7e-75969eeeeed5">Novello, Joseph Alfred (1810-1896)</docAuthor> <p style="paragraph_without_indent">W.H.H. <persName xml:id="persName_f2b9524c-3815-4756-825e-caec552c6a36">Pearson<name key="PSN0113778" style="hidden" type="person">Pearson, Henry Hugh (auch: Heinrich Hugo Pierson; Pseud.: Edgar Mansfeld) (1815-1873)</name></persName> has been staying in <placeName xml:id="placeName_0bcace29-21c5-4476-a14e-48a81f394be6">Leipzig<settlement key="STM0100116" style="hidden" type="locality">Leipzig</settlement><country style="hidden">Deutschland</country></placeName> a great admirer of yours and a very clever amateur. what do you think of him? –</p> </div> </body> </text></TEI>