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David Charles Read an Felix Mendelssohn Bartholdy in London <lb></lb>Salisbury, 18. September 1840 The veneration I feel for the Art which you have dignified by your compositions, and the respect I entertain for your personal character and genius, are the motives that prompt me to address you. That the Felix Mendelssohn Bartholdy Correspondence Online (FMB-C) unbekannt unbekannt Read, David Charles (1790-1851) Read, David Charles (1790-1851) Transkription: FMB-C Edition: FMB-C Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin
Am Kupfergraben 5 10117 Berlin Deutschland
http://www.mendelssohn-online.com Creative Commons Attribution 4.0 International (CC BY 4.0)

Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)

Großbritannien Oxford GB-Ob Oxford, Bodleian Library Music Section M.D.M. d. 38/82. Autograph David Charles Read an Felix Mendelssohn Bartholdy in London; Salisbury, 18. September 1840 The veneration I feel for the Art which you have dignified by your compositions, and the respect I entertain for your personal character and genius, are the motives that prompt me to address you. That the

1 Doppelbl.: S. 1-3 Brieftext; S. 4 Adresse, Siegel. – Der Brief ist vollständig in lateinischen Buchstaben geschrieben.

David Charles Read

Radierungen von David Charles Read.

Green Books

Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.

Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.

18. September 1840 Read, David Charles (1790-1851)counter-resetRead, David Charles (1790-1851) Salisbury Großbritannien Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) Leipzig Deutschland englisch
F. MendelsshonMendelssohn Bartholdy Esquire
Read, David Charles (1790-1851) Read, David Charles (1790-1851) The Close, Salisbury. Sepr 18, 1840. My dear Sir,

The veneration I feel for the Art which you have dignified by your compositions<list style="hidden" type="fmb_works_directory" xml:id="list_0dd60f3d-1acf-44dc-85ea-9fa3dcdae6fa"><item n="1" sortKey="musical_works" style="hidden"></item><item n="2" sortKey="unidentified_and_unspecified_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0101039" style="hidden">Kompositionen<idno type="MWV"></idno><idno type="op"></idno></name>, and the respect I entertain for your personal character and genius, are the motives that prompt me to address you.

That the name of MendelsshonMendelssohn, associated with the brightest recollections, should excite feelings of this nature will be a matter of surprise to nkno one but yourself; and I beg you will consider this address if it be pleasing to you, as a reward of merit, and if otherwise, as one of the inconveniences of eminence.

The friendship which subsisted between GoetheGoethe, Johann Wolfgang (seit 1782) von (1749-1832) and Yourself is well known to me, |2| and I have the vanity to wish it understood that I enjoyed a similar privilege. A few of my works accidentally fell into the his handsA few of my works accidentally fell into his hands – Chambers Hall hatte Goethe am 30. Juni 1829 Radierungen von Read übergeben; siehe den Tagebucheintrag Goethes vom 30. Juni 1829, in: Johann Wolfgang Goethe. Tagebücher, hrsg. Von Gerhart Baumann, Bd. 3 (1824–1832), S. 665. his good opinion of them was manifested in letters addressed to me; and the friendship thus commenced was dissolved only by his death.

The accompanying Etchings<name key="PSN0119569" style="hidden" type="author">Read, David Charles (1790-1851)</name><name key="CRT0113111" style="hidden" type="art">Radierungen</name> are some of those which attracted hisGoethe, Johann Wolfgang (seit 1782) von (1749-1832) notice. I beg your acceptance of them as a memento of my regard.

My love for the Science of Music has led me to bring up one of my SonsRead, Charles John (1820-1891) to it as a profession. For some years he has been a student at the Royal Academy of MusicRoyal Academy of MusicLondonGroßbritannien in LondonLondonGroßbritannien, and the reports of the Professors speak highly of his proficiency. It is my most anxious desire to afford him the advantage of a Years study in GermanyDeutschlandDeutschland, and place him for that period under your directions, in the hope that he might be stimulated to act with so noble an example before his eyes.

|3| Believe me, My dear Sir, with every sentiment of respect and esteem, Very faithfully Yours, D. C. Read.
            The Close, Salisbury. Sepr 18, 1840. My dear Sir,
The veneration I feel for the Art which you have dignified by your compositions, and the respect I entertain for your personal character and genius, are the motives that prompt me to address you.
That the name of Mendelsshon, associated with the brightest recollections, should excite feelings of this nature will be a matter of surprise to kno one but yourself; and I beg you will consider this address if it be pleasing to you, as a reward of merit, and if otherwise, as one of the inconveniences of eminence.
The friendship which subsisted between Goethe and Yourself is well known to me, and I have the vanity to wish it understood that I enjoyed a similar privilege. A few of my works accidentally fell into the his hands his good opinion of them was manifested in letters addressed to me; and the friendship thus commenced was dissolved only by his death.
The accompanying Etchings are some of those which attracted his notice. I beg your acceptance of them as a memento of my regard.
My love for the Science of Music has led me to bring up one of my Sons to it as a profession. For some years he has been a student at the Royal Academy of Music in London, and the reports of the Professors speak highly of his proficiency. It is my most anxious desire to afford him the advantage of a Years study in Germany, and place him for that period under your directions, in the hope that he might be stimulated to act with so noble an example before his eyes.
 Believe me, My dear Sir, with every sentiment of respect and esteem, Very faithfully Yours,
D. C. Read.          
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Von Gerhart Baumann, Bd. 3 (1824–1832), S. 665.</note> his good opinion of them was manifested in letters addressed to me; and the friendship thus commenced was dissolved only by his death.</p> <p>The accompanying <title xml:id="title_4b9ef176-d597-49b9-bd53-442bd4575def">Etchings<name key="PSN0119569" style="hidden" type="author">Read, David Charles (1790-1851)</name><name key="CRT0113111" style="hidden" type="art">Radierungen</name></title> are some of those which attracted <persName xml:id="persName_a1e0193e-f897-448b-b241-9248674919a6">his<name key="PSN0111422" style="hidden" type="person">Goethe, Johann Wolfgang (seit 1782) von (1749-1832)</name></persName> notice. I beg your acceptance of them as a memento of my regard.</p> <p>My love for the Science of Music has led me to bring up <persName xml:id="persName_1fe53e7b-e1ff-4afb-a12b-c4a640ca4ec9">one of my Sons<name key="PSN0120443" style="hidden" type="person">Read, Charles John (1820-1891)</name></persName> to it as a profession. For some years he has been a student at the <placeName xml:id="placeName_e352f281-09be-458e-bdbd-3cd37792cd33">Royal Academy of Music<name key="NST0100563" style="hidden" subtype="" type="institution">Royal Academy of Music</name><settlement key="STM0100126" style="hidden" type="locality">London</settlement><country style="hidden">Großbritannien</country></placeName> in <placeName xml:id="placeName_84d0502f-ef9d-47c8-a8cb-ced555205524">London<settlement key="STM0100126" style="hidden" type="locality">London</settlement><country style="hidden">Großbritannien</country></placeName>, and the reports of the Professors speak highly of his proficiency. It is my most anxious desire to afford him the advantage of a Years study in <placeName xml:id="placeName_43c1db7d-478f-412c-8e7f-76acafa2d96f">Germany<settlement key="STM0104839" style="hidden" type="area">Deutschland</settlement><country style="hidden">Deutschland</country></placeName>, and place him for that period under your direction<del cert="high" rend="strikethrough">s</del>, in the hope that he might be stimulated to act<gap quantity="3" reason="covering" unit="characters"></gap> with so noble an example before his eyes.</p> <closer rend="left"><seg type="pagebreak">|3|<pb n="3" type="pagebreak"></pb></seg> Believe me, My dear Sir, with every sentiment of respect and esteem,</closer> <signed rend="center">Very faithfully Yours,</signed> <signed rend="center">D. C. Read.</signed> </div> </body> </text></TEI>