]> Brief: gb-1840-05-11-02

gb-1840-05-11-02

Hilfe zum Zitier-Tool

Um wichtige Textpassagen (Zitate) zu speichern und auf diese via Hyperlink zu verweisen, markieren Sie bitte den gewünschten Textbereich.

Daraufhin erscheint ein Fenster, in welchem Sie die ausgewählte Textpassage inkl. des Hyperlinks zur weiteren Verwendung in die Zwischenablage kopieren können.


Henry Fothergill Chorley an Felix Mendelssohn Bartholdy in Leipzig <lb></lb>London, 11. Mai 1840 My dear Mendelssohn. – Though a good deal hurried by having my mother & sister here: & by the exigencies of the season, I must avail myself of a moment, to tell you how happy Felix Mendelssohn Bartholdy Correspondence Online (FMB-C) unbekannt unbekannt Chorley, Henry Fothergill (1808-1872) Chorley, Henry Fothergill (1808-1872) Transkription: FMB-C Edition: FMB-C Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin
Am Kupfergraben 5 10117 Berlin Deutschland
http://www.mendelssohn-online.com Creative Commons Attribution 4.0 International (CC BY 4.0)

Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)

 Großbritannien Oxford GB-Ob Oxford, Bodleian Library Music Section M.D.M. d. 37/150. Autograph Henry Fothergill Chorley an Felix Mendelssohn Bartholdy in Leipzig; London, 11. Mai 1840 My dear Mendelssohn. – Though a good deal hurried by having my mother & sister here: & by the exigencies of the season, I must avail myself of a moment, to tell you how happy

1 Doppelbl.: S. 1-3 Brieftext; S. 4 Siegel. – Der Brief ist vollständig in lateinischen Buchstaben geschrieben.

Henry Fothergill Chorley

Green Books

 Bledsoe, Henry Fothergill Chorley, S. 103 (Teildruck).

Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.

Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.

 May 11/40 Chorley, Henry Fothergill (1808-1872)counter-resetChorley, Henry Fothergill (1808-1872) London Großbritannien Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) Leipzig Deutschland englisch
Chorley, Henry Fothergill (1808-1872) Chorley, Henry Fothergill (1808-1872) 9 Chapel Street. Belgrave Square. Monday May 11/40

My dear Mendelssohn. – Though a good deal hurried by having my motherChorley, Jane (1779-1851) & sisterChorley, Mary Anne (1801-1863) here: & by the exigencies of the season, I must avail myself of a moment, to tell you how happy I was last night made by KlingemannKlingemann, Ernst Georg Carl Christoph Konrad (1798-1862)’s news that you have said ‟yes” to the Birmingham CommitteeThe Birmingham Triennial Music FestivalBirminghamGroßbritannienKlingemann’s news that you have said ‟yes” to the Birmingham Committee – Klingemann hatte von Moore erfahren, dass Mendelssohn seine Teilnahme am Birmingham Triennial Music Festival im September 1840 zugesagt habe und dies am 10. Mai 1840 bei Moscheles den Anwesenden verkündet; siehe Brief gb-1840-05-10-01 Charlotte Moscheles an Felix Mendelssohn Bartholdy in Leipzig, London, 10. Mai 1840. & are coming to pay us, I hope, a long visit this Autumn. I have not heard a piece of news which has given me more pleasure for a very long time: though I know how little I can hope to do, so as in any way to testify my grateful remembrance of your kindness to me when I was in GermanyDeutschlandDeutschland.your kindness to me when I was in Germany – Chorley hatte Mendelssohn und seine Familie im Herbst 1839 während seiner zweimonatigen Reise durch Deutschland in Leipzig besucht. Er traf am 1. Oktober 1839 in Leipzig ein und reiste am 7. Oktober 1839 weiter nach Dresden; siehe Brief gb-1839-09-27-01 Henry Fothergill Chorley an Felix Mendelssohn Bartholdy in Leipzig, Berlin, 27. September 1839. Still it is delightful to think we shall have you here – & you will find few among your friends old or new, more eager to welcome you. – You have not kept |2| your word as regards bringing the P. F. trio<list style="hidden" type="fmb_works_directory" xml:id="title_iovjgtme-fit2-fv5m-wtjq-scqp57zezmcq"><item n="1" sortKey="musical_works" style="hidden"></item><item n="2" sortKey="instrumental_music" style="hidden"></item><item n="3" sortKey="chamber_music" style="hidden"></item><item n="4" sortKey="chamber_music_with_piano" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100387" style="hidden">Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, [Februar 1839] bis 18. Juli 1839; 23. September 1839<idno type="MWV">Q 29</idno><idno type="op">49</idno></name> – for it was played for the first time, yesterday, by MoschelesMoscheles, Ignaz (Isack) (1794-1870), MoliqueMolique, Wilhelm Bernhard (1802-1869) & HausmannHausmann, Georg (George) (1814-1861)the P. F. trio … played … by Moscheles, Molique & Hausmann – Mendelssohns Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, op. 49 (MWV Q 29) war am 10. Mai 1840 im Hause der Moscheles von Ignaz Moscheles (Klavier), Wilhelm Bernhard Molique (Violine) und Georg Hausmann (Violoncello) gespielt worden; siehe Brief gb-1840-05-10-01 Charlotte Moscheles an Felix Mendelssohn Bartholdy in Leipzig, London, 10. Mai 1840. – each movement twice – that some familiarity with the work, might be gained: & it went well, for a first performance. I gave myself great airs on the occasion, as having the advantage over first part of the party! – I think you would have been satisfied by the impression it produced. Did your ears burn about two o’clock in the day? You know that the English believe when their ears are hot that some one is talking of them. – Have you not made some slight changes at the end of the first movement from the M. S. copy?some slight changes at the end of the first movement from the M. S. copy? – Eine frühe Fassung des Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, op. 49 (MWV Q 29) lag Ende August 1839 vor und wurde am 29. August 1839 mit Ferdinand David bei Mendelssohn in Leipzig privat gespielt; siehe Hensel, Tagebücher, S. 94. Die Uraufführung fand am 1. Februar 1840 in Leipzig statt. Ausführende waren Ferdinand David, Violine, Carl Wittmann, Cello, und Felix Mendelssohn Bartholdy Klavier; siehe MWV, S. 264. Es existierte eine auf den 23. September 1839 datierte Partiturabschrift, die heute als verschollen gilt, die vor dem Druck von Mendelssohn überarbeitet wurde; siehe Salome Reiser (Hrsg.), LMA III/9: Klaviertrios, S. XIV. Mendelssohn antwortete Chorley am 21. Juli 1840, er habe das Ende des ersten Satzes seines Trios Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, op. 49 (MWV Q 29) nicht geändert; siehe Brief fmb-1840-07-21-04 (Brief Nr. 2771) Felix Mendelssohn Bartholdy an Henry Fothergill Chorley in London, Leipzig, 21. Juli 1840, Z. 46-48: »But I have not altered anything at the end of the first movement of my Trio, and cannot make out what might have been the cause of your thinking so.« – I ask, in great humility.

LisztLiszt, Franz (Ferenc) (1811-1886) arrived on Wednesday – & showed himself chez moi in the eve |3| ning: & I have heard him, about once a day since. I am excessively crazy about the man, as well as the pianist: he keeps my mind so wide awake! Besides making my ears (not burn) but jump with astonishment. – There is far less eccentricity too, about his appearance, & behaviour than I had expected.

Give my blessings to DavidDavid, Ernst Victor Carl Ferdinand (1810-1873), & tell him that MoliqueMolique, Wilhelm Bernhard (1802-1869) has neither made theChorley, Henry Fothergill (1808–1872) public or the private forget him. – My best regards, too, to Madame D.David, Sophie Wilhelmine (1807-1893) – This is but a hasty note: but I could not hear of your approaching visit without doing my best & quickest to tell you who how much pleasure the prospect gives to your faithful friend H. F. Chorley
Chorley, Henry Fothergill (1808-1872) Chorley, Henry Fothergill (1808-1872)

|1| There, too, fully at when opportunity might offers itself.

 
            9 Chapel Street. Belgrave Square. Monday May 11/40 My dear Mendelssohn. – Though a good deal hurried by having my mother & sister here: & by the exigencies of the season, I must avail myself of a moment, to tell you how happy I was last night made by Klingemann’s news that you have said ‟yes” to the Birmingham Committee & are coming to pay us, I hope, a long visit this Autumn. I have not heard a piece of news which has given me more pleasure for a very long time: though I know how little I can hope to do, so as in any way to testify my grateful remembrance of your kindness to me when I was in Germany. Still it is delightful to think we shall have you here – & you will find few among your friends old or new, more eager to welcome you. – You have not kept your word as regards bringing the P. F. trio – for it was played for the first time, yesterday, by Moscheles, Molique & Hausmann – each movement twice – that some familiarity with the work, might be gained: & it went well, for a first performance. I gave myself great airs on the occasion, as having the advantage over first part of the party! – I think you would have been satisfied by the impression it produced. Did your ears burn about two o’clock in the day? You know that the English believe when their ears are hot that some one is talking of them. – Have you not made some slight changes at the end of the first movement from the M. S. copy? – I ask, in great humility.
Liszt arrived on Wednesday – & showed himself chez moi in the eve ning: & I have heard him, about once a day since. I am excessively crazy about the man, as well as the pianist: he keeps my mind so wide awake! Besides making my ears (not burn) but jump with astonishment. – There is far less eccentricity too, about his appearance, & behaviour than I had expected.
Give my blessings to David, & tell him that Molique has neither made the public or the private forget him. – My best regards, too, to Madame D. – This is but a hasty note: but I could not hear of your approaching visit without doing my best & quickest to tell you who how much pleasure the prospect gives to your faithful friend H. F. Chorley
 There, too, fully at when opportunity might offers itself.          
            <TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.tei-c.org/ns/1.0 ../../../fmbc_framework/xsd/fmb-c.xsd" xml:id="gb-1840-05-11-02" xml:space="default"> <teiHeader xml:lang="de"> <fileDesc> <titleStmt> <title key="gb-1840-05-11-02">Henry Fothergill Chorley an Felix Mendelssohn Bartholdy in Leipzig <lb></lb>London, 11. Mai 1840</title> <title level="s" type="incipit">My dear Mendelssohn. – Though a good deal hurried by having my mother &amp; sister here: &amp; by the exigencies of the season, I must avail myself of a moment, to tell you how happy</title> <title level="s" type="sub">Felix Mendelssohn Bartholdy Correspondence Online (FMB-C)</title> <title key="unknown" type="precursor">unbekannt</title> <title key="unknown" type="successor">unbekannt</title> <author key="PSN0110376">Chorley, Henry Fothergill (1808-1872)</author> <respStmt><resp resp="writer"></resp><persName key="PSN0110376" resp="writer">Chorley, Henry Fothergill (1808-1872)</persName></respStmt><respStmt resp="transcription"> <resp resp="transcription">Transkription: </resp> <name resp="transcription">FMB-C</name> </respStmt> <respStmt resp="edition"> <resp resp="edition">Edition: </resp> <name resp="edition">FMB-C</name> </respStmt> </titleStmt> <publicationStmt> <publisher>Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin</publisher> <address> <street>Am Kupfergraben 5</street> <placeName> <settlement>10117 Berlin</settlement> <country>Deutschland</country> </placeName> </address> <idno type="URI">http://www.mendelssohn-online.com</idno> <availability> <licence target="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International (CC BY 4.0)</licence> </availability> </publicationStmt> <seriesStmt> <p>Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)</p> </seriesStmt> <sourceDesc source="edition_template_manuscript"> <msDesc> <msIdentifier> <country>Großbritannien</country> <settlement>Oxford</settlement> <institution key="RISM">GB-Ob</institution> <repository>Oxford, Bodleian Library</repository> <collection>Music Section</collection> <idno type="signatur">M.D.M. d. 37/150.</idno> </msIdentifier> <msContents> <msItem> <idno type="autograph">Autograph</idno> <title key="gb-1840-05-11-02" type="letter">Henry Fothergill Chorley an Felix Mendelssohn Bartholdy in Leipzig; London, 11. Mai 1840</title> <incipit>My dear Mendelssohn. – Though a good deal hurried by having my mother &amp; sister here: &amp; by the exigencies of the season, I must avail myself of a moment, to tell you how happy</incipit> </msItem> </msContents> <physDesc> <p>1 Doppelbl.: S. 1-3 Brieftext; S. 4 Siegel. – Der Brief ist vollständig in lateinischen Buchstaben geschrieben.</p> <handDesc hands="1"> <p>Henry Fothergill Chorley</p> </handDesc> <accMat> <listBibl> <bibl type="none"></bibl> </listBibl> </accMat> </physDesc> <history> <provenance> <p>Green Books</p> </provenance> </history> <additional> <listBibl> <bibl type="printed_letter">Bledsoe, Henry Fothergill Chorley, S. 103 (Teildruck).</bibl> </listBibl> </additional> </msDesc> </sourceDesc> </fileDesc> <encodingDesc><projectDesc><p>Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.</p></projectDesc><editorialDecl><p>Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept,  Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation> <date cert="high" when="1840-05-11">May 11/40</date> </creation> <correspDesc> <correspAction type="sent"> <persName key="PSN0110376" resp="author">Chorley, Henry Fothergill (1808-1872)</persName><note>counter-reset</note><persName key="PSN0110376" resp="writer">Chorley, Henry Fothergill (1808-1872)</persName> <placeName type="writing_place"> <settlement key="STM0100126">London</settlement> <country>Großbritannien</country> </placeName> </correspAction> <correspAction type="received"> <persName key="PSN0000001" resp="receiver">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName> <placeName type="receiving_place"> <settlement key="STM0100116">Leipzig</settlement> <country>Deutschland</country> </placeName> </correspAction> </correspDesc> <langUsage> <language ident="en">englisch</language> </langUsage> </profileDesc> <revisionDesc status="draft">  </revisionDesc> </teiHeader> <text type="letter"> <body> <div n="1" type="act_of_writing"> <docAuthor key="PSN0110376" resp="author" style="hidden">Chorley, Henry Fothergill (1808-1872)</docAuthor> <docAuthor key="PSN0110376" resp="writer" style="hidden">Chorley, Henry Fothergill (1808-1872)</docAuthor> <dateline rend="right">9 Chapel Street. Belgrave Square.</dateline> <dateline rend="right">Monday <date cert="high" when="1840-05-11">May 11/40</date></dateline> <p style="paragraph_without_indent"><seg type="salute">My dear Mendelssohn</seg>. – Though a good deal hurried by having my <persName xml:id="persName_8ac24bf3-d761-4ab1-ae3c-1dee90ac7628">mother<name key="PSN0120013" style="hidden" type="person">Chorley, Jane (1779-1851)</name></persName> &amp; <persName xml:id="persName_678baf76-8c9f-4bd5-8752-dc28b010575c">sister<name key="PSN0120014" style="hidden" type="person">Chorley, Mary Anne (1801-1863)</name></persName> here: &amp; by the exigencies of the season, I must avail myself of a moment, to tell you how happy I was <date cert="high" when="1840-05-10" xml:id="date_cb139e2c-a368-4c96-b488-3a81d1237589">last night</date> made by <persName xml:id="persName_a12158c2-5094-42cf-916d-a36949fbde9d">Klingemann<name key="PSN0112434" style="hidden" type="person">Klingemann, Ernst Georg Carl Christoph Konrad (1798-1862)</name></persName>’s news that you have said ‟<hi n="1" rend="underline">yes</hi>” to the <placeName xml:id="placeName_8438d6d2-34f1-4a25-979e-45eba8fad28f">Birmingham Committee<name key="NST0103557" style="hidden" subtype="Komitee" type="institution">The Birmingham Triennial Music Festival</name><settlement key="STM0100323" style="hidden" type="locality">Birmingham</settlement><country style="hidden">Großbritannien</country></placeName><note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_5e6a65dc-4fa1-4d71-95fc-20218a46459f" xml:lang="de">Klingemann’s news that you have said ‟yes” to the Birmingham Committee – Klingemann hatte von Moore erfahren, dass Mendelssohn seine Teilnahme am Birmingham Triennial Music Festival im September 1840 zugesagt habe und dies am 10. Mai 1840 bei Moscheles den Anwesenden verkündet; siehe Brief gb-1840-05-10-01 Charlotte Moscheles an Felix Mendelssohn Bartholdy in Leipzig, London, 10. Mai 1840.</note> &amp; are coming to pay us, I hope, a long visit this Autumn. I have not heard a piece of news which has given me more pleasure for a very long time: though I know how little I can hope to do, so as in any way to testify my grateful remembrance of your kindness to me when I was in <placeName xml:id="placeName_bf3cfa6f-c7ef-430a-916f-d2226999f993">Germany<settlement key="STM0104839" style="hidden" type="locality">Deutschland</settlement><country style="hidden">Deutschland</country></placeName>.<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_457f7a3e-c920-4c0b-b415-090ee744e7d2" xml:lang="de">your kindness to me when I was in Germany – Chorley hatte Mendelssohn und seine Familie im Herbst 1839 während seiner zweimonatigen Reise durch Deutschland in Leipzig besucht. Er traf am 1. Oktober 1839 in Leipzig ein und reiste am 7. Oktober 1839 weiter nach Dresden; siehe Brief gb-1839-09-27-01 Henry Fothergill Chorley an Felix Mendelssohn Bartholdy in Leipzig, Berlin, 27. September 1839.</note> Still it is delightful to think we shall have you here – &amp; you will find few among your friends old or new, more eager to welcome you. – You have not kept<seg type="pagebreak"> |2|<pb n="2" type="pagebreak"></pb></seg> your word as regards <hi n="1" rend="underline">bringing</hi> the <title xml:id="title_013a9a3a-9a9e-4c3d-ac89-2265cd5b99d4">P. F. trio<list style="hidden" type="fmb_works_directory" xml:id="title_iovjgtme-fit2-fv5m-wtjq-scqp57zezmcq"><item n="1" sortKey="musical_works" style="hidden"></item><item n="2" sortKey="instrumental_music" style="hidden"></item><item n="3" sortKey="chamber_music" style="hidden"></item><item n="4" sortKey="chamber_music_with_piano" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100387" style="hidden">Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, [Februar 1839] bis 18. Juli 1839; 23. September 1839<idno type="MWV">Q 29</idno><idno type="op">49</idno></name></title> – for it was played for the first time, <date cert="high" when="1840-05-10">yesterday</date>, by <persName xml:id="persName_161985ed-d0ca-4978-a16c-1d39842ad1f8">Moscheles<name key="PSN0113441" style="hidden" type="person">Moscheles, Ignaz (Isack) (1794-1870)</name></persName>, <persName xml:id="persName_d6f79d61-3baa-4ee8-a131-b251524046c3">Molique<name key="PSN0113381" style="hidden" type="person">Molique, Wilhelm Bernhard (1802-1869)</name></persName> &amp; <persName xml:id="persName_5151e1d6-2318-4e2a-a830-e42f08e99114">Hausmann<name key="PSN0111780" style="hidden" type="person">Hausmann, Georg (George) (1814-1861)</name></persName><note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_625b8c41-9a79-41c3-8364-d81dd4b8f377" xml:lang="de">the P. F. trio … played … by Moscheles, Molique &amp; Hausmann – Mendelssohns Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, op. 49 (MWV Q 29) war am 10. Mai 1840 im Hause der Moscheles von Ignaz Moscheles (Klavier), Wilhelm Bernhard Molique (Violine) und Georg Hausmann (Violoncello) gespielt worden; siehe Brief gb-1840-05-10-01 Charlotte Moscheles an Felix Mendelssohn Bartholdy in Leipzig, London, 10. Mai 1840.</note> – each movement twice – that some familiarity with the work, might be gained: &amp; it went well, for a first performance. I gave myself great airs on the occasion, as having the advantage over first part of the party! – I think you would have been satisfied by the impression it produced. Did your ears burn about two o’clock in the day? You know that the English believe when their ears are hot that some one is talking of them. – Have you not made some slight changes at the end of the first movement from the M. S. copy?<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_97c9dacb-5162-474b-a4de-3f392d6a845e" xml:lang="de">some slight changes at the end of the first movement from the M. S. copy? – Eine frühe Fassung des Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, op. 49 (MWV Q 29) lag Ende August 1839 vor und wurde am 29. August 1839 mit Ferdinand David bei Mendelssohn in Leipzig privat gespielt; siehe Hensel, Tagebücher, S. 94. Die Uraufführung fand am 1. Februar 1840 in Leipzig statt. Ausführende waren Ferdinand David, Violine, Carl Wittmann, Cello, und Felix Mendelssohn Bartholdy Klavier; siehe MWV, S. 264. Es existierte eine auf den 23. September 1839 datierte Partiturabschrift, die heute als verschollen gilt, die vor dem Druck von Mendelssohn überarbeitet wurde; siehe Salome Reiser (Hrsg.), LMA III/9: Klaviertrios, S. XIV. Mendelssohn antwortete Chorley am 21. Juli 1840, er habe das Ende des ersten Satzes seines Trios Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, op. 49 (MWV Q 29) nicht geändert; siehe Brief fmb-1840-07-21-04 (Brief Nr. 2771) Felix Mendelssohn Bartholdy an Henry Fothergill Chorley in London, Leipzig, 21. Juli 1840, Z. 46-48: »But I have not altered anything at the end of the first movement of my Trio, and cannot make out what might have been the cause of your thinking so.«</note> – I ask, in great humility.</p> <p><persName xml:id="persName_d59a80d4-72c3-4bda-8267-b46678de9292">Liszt<name key="PSN0112894" style="hidden" type="person">Liszt, Franz (Ferenc) (1811-1886)</name></persName> arrived on <date cert="high" when="1840-05-06">Wednesday</date> – &amp; showed himself <hi n="1" rend="underline"><foreign xml:id="foreign_e7711001-6384-49a8-a87c-5879e9cf434c" xml:lang="fr">chez moi</foreign></hi> in the eve<seg type="pagebreak"> |3|<pb n="3" type="pagebreak"></pb></seg> ning: &amp; I have heard him, about once a day since. I am excessively crazy about the <hi n="1" rend="underline">man</hi>, as well as the pianist: he keeps my mind so wide awake! Besides making my ears (not burn) but <hi n="1" rend="underline">jump</hi> with astonishment. – There is far less eccentricity too, about his appearance, &amp; behaviour than I had expected.</p> <closer rend="left">Give my blessings to <persName xml:id="persName_83a21177-a765-4667-8de5-8d02c28215de">David<name key="PSN0110564" style="hidden" type="person">David, Ernst Victor Carl Ferdinand (1810-1873)</name></persName>, &amp; tell him that <persName xml:id="persName_502aac18-11ca-48f0-af6a-36e4d8bf49e4">Molique<name key="PSN0113381" style="hidden" type="person">Molique, Wilhelm Bernhard (1802-1869)</name></persName> has neither made <add place="above">the<name key="PSN0110376" resp="writers_hand" style="hidden">Chorley, Henry Fothergill (1808–1872)</name></add> public or the private forget him. – My best regards, too, to <persName xml:id="persName_1b7a9008-63e1-401d-8804-804c3d92873d">Madame D.<name key="PSN0110574" style="hidden" type="person">David, Sophie Wilhelmine (1807-1893)</name></persName> – This is but a hasty note: but I could not hear of your approaching visit without doing my best &amp; quickest to tell you <del cert="low" rend="strikethrough" xml:id="del_c7fbdb03-4afc-4176-88f4-d458e14885ec">who</del> how much pleasure the prospect gives to your faithful friend</closer> <signed rend="right">H. F. Chorley</signed> </div> <div n="2" type="act_of_writing"> <docAuthor key="PSN0110376" resp="author" style="hidden">Chorley, Henry Fothergill (1808-1872)</docAuthor> <docAuthor key="PSN0110376" resp="writer" style="hidden">Chorley, Henry Fothergill (1808-1872)</docAuthor><p style="paragraph_hanging"><seg type="pagebreak"> |1| <pb n="1" type="pagebreak"></pb></seg>There, too, <gap quantity="3" reason="covering" unit="words"></gap> fully <gap quantity="3" reason="covering" unit="words"></gap> at <gap quantity="1" reason="uncertain_reading" unit="words"></gap> when opportunity might offers itself.</p></div></body></text></TEI>