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Nicolas Mori an Felix Mendelssohn Bartholdy in Leipzig <lb></lb>London, 2. Januar 1839 I am delighted with the prospect of having your Quartetts I have already announced that two new Quartetts composed by you will be introduced during the series I am now only anxious to know when Felix Mendelssohn Bartholdy Correspondence Online (FMB-C) Felix Mendelssohn Bartholdy an Nicolas Mori in London; Leipzig, 6. Oktober 1838 unbekannt Mori, Nicolas (1796-1839)Mori, Nicolas (1796-1839) Transkription: FMB-C Edition: FMB-C Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin
Am Kupfergraben 5 10117 Berlin Deutschland
http://www.mendelssohn-online.com Creative Commons Attribution 4.0 International (CC BY 4.0)

Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)

Großbritannien Oxford GB-Ob Oxford, Bodleian Library Music Section M.D.M. d. 35/49. Autograph Nicolas Mori an Felix Mendelssohn Bartholdy in Leipzig; London, 2. Januar 1839 I am delighted with the prospect of having your Quartetts I have already announced that two new Quartetts composed by you will be introduced during the series I am now only anxious to know when

1 Doppelbl.: S. 1-2 Brieftext; S. 3 leer; S. 4 Adresse, 1 Poststempel [PAID / VS / 4 JA / 1839]. Der Brief ist vollständig in lateinischen Buchstaben geschrieben.

Nicolas Mori

Green Books

Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.

Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.

2. Januar 1839 Mori, Nicolas (1796-1839)counter-resetMori, Nicolas (1796–1839) LondonGroßbritannien Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) LeipzigDeutschland englisch
Dr. Mendelssohn Bartholdy in Leipzig.
Mori, Nicolas (1796–1839) Mori, Nicolas (1796–1839) London; Janry, 2nd 1839 My dear Sir.

I am delighted with the prospect of having your Quartetts<list style="hidden" type="fmb_works_directory" xml:id="title_weobswcm-9jwm-fny7-t1wh-sy2bytwmsqc3"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="collective_sources" style="hidden"></item> <item n="3" sortKey="collective_prints" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100635" style="hidden">Drei Streichquartette, 1839/1840; enthält MWV R 30, R 26 und R 28<idno type="MWV">SD 19</idno><idno type="op">44</idno></name>Quartetts – Gemeint sind Mendelssohns Drei Streichquartette op. 44/1 (MWV SD 19). I have already announced that two new Quartetts composedtwo new Quartetts – Gemeint sind Mendelssohns Streichquartette op. 44/1 und op. 44/3, deren Drucklegung seit dem 11. August 1838 (Brief 2241 u. a.) Gegenstand der Korrespondenz zwischen Mendelssohn und Breitkopf & Härtel war. Nicolas Mori beabsichtigte diese Streichquartette und ein Weiteres (op. 44/2) öffentlich in Großbritannien aufzuführen. by willMori, Nicolas (1796–1839) you will be introduced during the series of the Classical ConcertsMori, Nicolas (1796–1839) I am now only anxious to know when they will arrive my first performance is on the 28th January. The 2nd & 3rd in February and the 4th and last, the first week in March, and if I do not receive them in sufficient time to have them well rehearsed I am fearful I shall fail in keeping my word with the public which I shall be very sorry for; relative to their being secure in my possession I can assure you you may rest quite easy on that point as I will on no account let them go out of my hands without first receiving your permission to do so. when I wrote to you relative to a piano forte piece I meant the Concertante for wind instruments with piano forteMori, Nicolas (1796–1839) which you had proposed to me in a former letterDer Brief Mendelssohns ist nicht erhalten. my idea in mentioning this again, was that there being so few of such pieces already written which areMori, Nicolas (1796–1839) only appropriate to the Philharmonic Classical Concerts that there would be a great advantage in inducing you to write such a piece |2| that it would be useful on those occasions and then by making it to go as piano forte Solo, sufficient money for the copyright might be gained. relative to the O<hi rend="superscript">uv</hi> for the Military band<list style="hidden" type="fmb_works_directory" xml:id="title_fnhunihe-lsud-jg2k-m0qw-n1rbe4aji6ft"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100357" style="hidden">Ouvertüre für Harmoniemusik (Militair Ouverture) C-Dur (»Nocturno«), bis zum 27. Juni 1826 (MWV: [Sommer 1824]); Umarbeitung 1838<idno type="MWV">P 1</idno><idno type="op">24</idno></name> I beg to observe, that no money can be gained by any such composition arranged as a duett unless it is made popular in a Concert Room and I do not see any opportunities for doing that therefore can for the present decide upon the purchase of it. I am most anxious to know if there is any probability of seeing you in London this year, as are many other musical friends. I saw our friend KlingemannKlingemann, Ernst Georg Carl Christoph Konrad (1798-1862) but he cannot say any thing positive about that, therefore I have determined to write to you myself. my sonMori, Frank (Francis) (1820-1873)Gemeint ist Nicolas Moris Sohn, der Pianist Frank Mori. is travelling with ThalbergThalberg, Sigismund (1812-1871). I understood they were to visit LeipzigLeipzigDeutschland, have you seen or heard any thing of them? I know that my son Frank who is a pianist will esteem it a great honor to visit you and have you by the hand. He is on his way to PetersburghSt. PetersburgRussland with Thalberg. Now my dear Sir not to teaze you with any longer letter I beg to subscribe myself

Yr sincere friend N. Mori
            London; Janry, 2nd 1839 My dear Sir.
I am delighted with the prospect of having your Quartetts I have already announced that two new Quartetts composed by will you will be introduced during the series of the Classical Concerts I am now only anxious to know when they will arrive my first performance is on the 28th January. The 2nd & 3rd in February and the 4th and last, the first week in March, and if I do not receive them in sufficient time to have them well rehearsed I am fearful I shall fail in keeping my word with the public which I shall be very sorry for; relative to their being secure in my possession I can assure you you may rest quite easy on that point as I will on no account let them go out of my hands without first receiving your permission to do so. when I wrote to you relative to a piano forte piece I meant the Concertante for wind instruments with piano forte which you had proposed to me in a former letter my idea in mentioning this again, was that there being so few of such pieces already written which are only appropriate to the Philharmonic Classical Concerts that there would be a great advantage in inducing you to write such a piece that it would be useful on those occasions and then by making it to go as piano forte Solo, sufficient money for the copyright might be gained. relative to the Ouv for the Military band I beg to observe, that no money can be gained by any such composition arranged as a duett unless it is made popular in a Concert Room and I do not see any opportunities for doing that therefore can for the present decide upon the purchase of it. I am most anxious to know if there is any probability of seeing you in London this year, as are many other musical friends. I saw our friend Klingemann but he cannot say any thing positive about that, therefore I have determined to write to you myself. my son is travelling with Thalberg. I understood they were to visit Leipzig, have you seen or heard any thing of them? I know that my son Frank who is a pianist will esteem it a great honor to visit you and have you by the hand. He is on his way to Petersburgh with Thalberg. Now my dear Sir not to teaze you with any longer letter I beg to subscribe myself
Yr sincere friend
N. Mori          
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Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept,  Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation><date cert="high" when="1839-01-02" xml:id="date_ea4ca4b3-1923-48a7-af25-f7d8cb5c89ca">2. Januar 1839</date></creation> <correspDesc> <correspAction type="sent"> <persName key="PSN0113424" resp="author" xml:id="persName_9a145201-ab6f-480d-9c41-e55334254e3b">Mori, Nicolas (1796-1839)</persName><note>counter-reset</note><persName key="PSN0113424" resp="writer">Mori, Nicolas (1796–1839)</persName> <placeName type="writing_place" xml:id="placeName_65f36ed1-8d83-42fa-88ce-ea6b162705f3"> <settlement key="STM0100126">London</settlement><country>Großbritannien</country> </placeName> </correspAction> <correspAction type="received"> <persName key="PSN0000001" resp="receiver" xml:id="persName_b2a98437-fbbd-4aed-ba08-a5725ce4cd5b">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName> <placeName type="receiving_place" xml:id="placeName_ac34e68e-9bd0-4fc0-b4ad-ed58cfd79bc1"> <settlement key="STM0100116">Leipzig</settlement><country>Deutschland</country> </placeName> </correspAction> </correspDesc> <langUsage> <language ident="en">englisch</language> </langUsage> </profileDesc> <revisionDesc status="draft">  </revisionDesc> </teiHeader> <text type="letter"> <body> <div type="address" xml:id="div_858259f2-4952-4421-91e9-fc6b8fee3020"> <head> <address> <addrLine><hi rend="latintype">D<hi rend="superscript">r</hi>. Mendelssohn Bartholdy</hi></addrLine> <addrLine><hi rend="latintype">in Leipzig.</hi></addrLine> </address> </head> </div> <div n="1" type="act_of_writing" xml:id="div_3bc67551-9e6b-45c7-a55d-262547a112ff"> <docAuthor key="PSN0113424" resp="author" style="hidden" xml:id="docAuthor_d594eeb7-d527-49b2-97dd-88bfe4362720">Mori, Nicolas (1796–1839)</docAuthor> <docAuthor key="PSN0113424" resp="writer" style="hidden" xml:id="docAuthor_be5170bd-190a-4bc7-b0c2-13af961235fd">Mori, Nicolas (1796–1839)</docAuthor> <dateline rend="right">London; <date cert="high" when="1839-01-02" xml:id="date_e4fe8ae9-a0c4-4360-a1f5-0e77464741d7">Jan<hi rend="superscript">ry</hi>, 2<hi rend="superscript">nd</hi> 1839</date></dateline> <salute rend="left">My dear Sir.</salute> <p style="paragraph_without_indent">I am delighted with the prospect of having your <title xml:id="title_a92db7b4-be55-4adb-99bb-0c92c4141040">Quartetts<list style="hidden" type="fmb_works_directory" xml:id="title_weobswcm-9jwm-fny7-t1wh-sy2bytwmsqc3"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="collective_sources" style="hidden"></item> <item n="3" sortKey="collective_prints" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100635" style="hidden">Drei Streichquartette, 1839/1840; enthält MWV R 30, R 26 und R 28<idno type="MWV">SD 19</idno><idno type="op">44</idno></name></title><note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_4dd9c6cd-39a4-4495-b9ae-378cfa3e59dc" xml:lang="en">Quartetts – Gemeint sind Mendelssohns Drei Streichquartette op. 44/1 (MWV SD 19).</note> I have already announced that two new Quartetts composed<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_f40666e6-c032-43af-9eda-357a8f517f3b" xml:lang="en">two new Quartetts – Gemeint sind Mendelssohns Streichquartette op. 44/1 und op. 44/3, deren Drucklegung seit dem 11. August 1838 (Brief 2241 u. a.) Gegenstand der Korrespondenz zwischen Mendelssohn und Breitkopf &amp; Härtel war. Nicolas Mori beabsichtigte diese Streichquartette und ein Weiteres (op. 44/2) öffentlich in Großbritannien aufzuführen.</note> by <gap quantity="1" reason="deletion" unit="words"></gap> <add place="above">will<name key="PSN0113424" resp="writers_hand" style="hidden">Mori, Nicolas (1796–1839)</name></add> you will be introduced during the series <add place="above">of the Classical Concerts<name key="PSN0113424" resp="writers_hand" style="hidden">Mori, Nicolas (1796–1839)</name></add> I am now only anxious to know when they will arrive my first performance is on the <date cert="high" when="1839-01-28" xml:id="date_f79ba9cf-d0d8-41cf-b3c6-aaef0466d141">28<hi rend="superscript">th</hi> January</date>. The <date cert="high" when="1839-02-02" xml:id="date_df602201-e149-4398-af16-2f2ff57df137">2<hi rend="superscript">nd</hi></date> &amp; <date cert="high" when="1839-02-03" xml:id="date_8a4623a1-3983-43a6-a46e-e83982c3b2d3">3<hi rend="superscript">rd</hi> in February</date> and the <date cert="high" when="1839-02-04" xml:id="date_52e00028-d0f7-4a98-9ce4-1d19cdd9886b">4<hi rend="superscript">th</hi></date> and <date cert="high" when="1839-02-28" xml:id="date_10a83fbf-9993-4306-be56-e3ddbe35f455">last</date>, the first week in March, and if I do not receive them in sufficient time to have them well rehearsed I am fearful I shall fail in keeping my word with the public which I shall be very sorry for; relative to their being secure in my possession I can assure you you may rest quite easy on that point as I will on no account let them go out of my hands without first receiving your permission to do so. when I wrote to you relative to a piano forte piece I meant the Concertante for wind instruments <add place="above">with piano forte<name key="PSN0113424" resp="writers_hand" style="hidden">Mori, Nicolas (1796–1839)</name></add> which you had proposed to me in a former letter<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_b55ab0fc-6fe1-4e6f-9521-212a6717695a" xml:lang="en">Der Brief Mendelssohns ist nicht erhalten.</note> my idea in mentioning this again, was that there being so few of such pieces already written <add place="above">which are<name key="PSN0113424" resp="writers_hand" style="hidden">Mori, Nicolas (1796–1839)</name></add> only appropriate to the Philharmonic Classical Concerts that there would be a great advantage in inducing you to write such a piece<seg type="pagebreak"> |2|<pb n="2" type="pagebreak"></pb></seg> that it would be useful on <gap quantity="1" reason="deletion" unit="words"></gap> those occasions and then by making it to go as piano forte Solo, sufficient money for the copyright might be gained. relative to the <title xml:id="title_e6ea8924-7e68-4f78-9bc9-8f47a7c7cc8e">O<hi rend="superscript">uv</hi> for the Military band<list style="hidden" type="fmb_works_directory" xml:id="title_fnhunihe-lsud-jg2k-m0qw-n1rbe4aji6ft"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100357" style="hidden">Ouvertüre für Harmoniemusik (Militair Ouverture) C-Dur (»Nocturno«), bis zum 27. Juni 1826 (MWV: [Sommer 1824]); Umarbeitung 1838<idno type="MWV">P 1</idno><idno type="op">24</idno></name></title> I beg to observe, that no money can be gained by any such composition arranged as a duett unless it is made popular in a Concert Room and I do not see any opportunities for doing that therefore can for the present decide upon the purchase of it. I am most anxious to know if there is any probability of seeing you in London this year, as are many other musical friends. I saw our friend <persName xml:id="persName_0f81d542-2d30-4cb7-82d2-0c1bae2658ec">Klingemann<name key="PSN0112434" style="hidden" type="person">Klingemann, Ernst Georg Carl Christoph Konrad (1798-1862)</name></persName> but he cannot say any thing positive about that, therefore I have determined to write to you myself. <persName xml:id="persName_a9abe946-f00f-4a9d-8739-2ccdd519294f">my son<name key="PSN0119560" style="hidden" type="person">Mori, Frank (Francis) (1820-1873)</name></persName><note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_a1f7bc98-8026-442a-9f5a-573b76c6f36f" xml:lang="en">Gemeint ist Nicolas Moris Sohn, der Pianist Frank Mori.</note> is travelling with <persName xml:id="persName_2f7ae964-6b92-4e5f-900e-0c90b7a502fa">Thalberg<name key="PSN0115297" style="hidden" type="person">Thalberg, Sigismund (1812-1871)</name></persName>. I understood they were to visit <placeName xml:id="placeName_336e433a-91f8-40f0-a32d-34811078b03e">Leipzig<settlement key="STM0100116" style="hidden" type="locality">Leipzig</settlement><country style="hidden">Deutschland</country></placeName>, have you seen or heard any thing of them? I know that my son Frank who is a pianist will esteem it a great honor to visit you and have you by the hand. He is on his way to <placeName xml:id="placeName_8b3cefa4-08cd-4dde-9673-9fc24a82c986">Petersburgh<settlement key="STM0100372" style="hidden" type="locality">St. Petersburg</settlement><country style="hidden">Russland</country></placeName> with Thalberg. Now my dear Sir not to teaze you with any longer letter I beg to subscribe myself</p> <signed rend="right">Y<hi rend="superscript">r</hi> sincere friend</signed> <signed rend="right">N. Mori</signed> </div> </body> </text></TEI>