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London, 13. Juli 1838
Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)
1 Doppelbl.: S. 1-3 Brieftext; S. 4 Adresse. Der Brief wurde vollständig in lateinischen Buchstaben geschrieben.
John Edward Taylor
Green Books
Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.
Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.
Prof.
You have perhaps not heard that my cousin r
Coed Dhû! –
My friend
I have nothing new to communicate on the state of Music here. The taste of the higher classes is growing more & more corrupted – there is no hope of amendment in that quarter. It is to the middle classes of Society we must look – and there are indications of a growing desire of in Paul will be welcomed &, I hope,
appreciated, in this country: you will believe that we
John Edw. Taylor.
London 3. Regent Square My dear Friend, Prof. Weber, who is about to return to Germany has kindly offered to take letters for me, and I am glad to avail myself of this opportunity of writing you a few lines, and of sending you a copy of my Father’s Inaugural Lectures, which he lately delivered on his appointment to the Greham Professorship for Music. He is at present absent from town, or I doubt not he would have written to you. You have perhaps not heard that my cousin Susan is engaged to be married to our excellent friend Dr Rigby, whom by the bye I believe you know, Richard soon followed the example, & is to be married next month. The lady of his choice resides in Cornwall – a niece of Richard’s friend Sir Charles Lennon. Susan’s marriage is to take place in September at Coed Dhû! – My friend Handley is now sitting at my elbow; he desires to be remembered to you; & is delighted to hear that you are composing an Opera. He requests me to enclose to you a pamphlet he has just written, on a subject in which he believes you have heretofore taken a deep interest. I have nothing new to communicate on the state of Music here. The taste of the higher classes is growing more & more corrupted – there is no hope of amendment in that quarter. It is to the middle classes of Society we must look – and there are indications of a growing desire of in struction, & consequently of a better taste, – at least one unstackled by the prejudices & ignorance of fashion. We are very anxious to hear tiding of the appearance of your Opera: any work from the Composer of Paul will be welcomed &, I hope, appreciated, in this country: you will believe that we Taylors, are not amongst the least interested in its appearance & success. Excuse my writing in haste – & believe me, Yours most sincerely John Edw. Taylor. July 13. 1838. –
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Juli 1838</title> <incipit>Prof. Weber, who is about to return to Germany has kindly offered to take letters for me, and I am glad to avail myself of this opportunity of writing you a few lines, and of</incipit> </msItem> </msContents> <physDesc> <p>1 Doppelbl.: S. 1-3 Brieftext; S. 4 Adresse. 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Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation> <date cert="high" when="1838-07-13" xml:id="date_7a824f42-b312-4202-b00e-7eff7c282fd6">13. Juli 1838</date></creation> <correspDesc> <correspAction type="sent"> <persName key="PSN0115273" resp="author" xml:id="persName_80222d73-84f8-4fd9-8b6e-23bcfab7c830">Taylor, John Edward</persName><note>counter-reset</note><persName key="PSN0115273" resp="writer">Taylor, John Edward</persName> <placeName type="writing_place" xml:id="placeName_ff36a7f9-d74e-4e81-8aaa-7704b918c461"> <settlement key="STM0100126">London</settlement><country>Großbritannien</country> </placeName> </correspAction> <correspAction type="received"> <persName key="PSN0000001" resp="receiver" xml:id="persName_9958b5f0-aac0-401f-8daf-eaf355c50dfc">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName> <placeName type="receiving_place" xml:id="placeName_2c6ee165-e938-4f1e-ba40-d25d0dca33d3"> <settlement key="STM0100116">Leipzig</settlement><country>Deutschland</country> </placeName> </correspAction> </correspDesc> <langUsage> <language ident="en">englisch</language> </langUsage> </profileDesc> <revisionDesc status="draft"> </revisionDesc> </teiHeader> <text type="letter"> <body> <div type="address" xml:id="div_a286f376-24f5-4bbf-bea0-62aeff14e72a"> <head> <address> <addrLine>à Monsieur</addrLine> <addrLine>M. Felix Mendelssohn Bartholdi</addrLine> <addrLine>à Leipzig – </addrLine> <addrLine>par bonté – </addrLine> </address> </head> </div> <div n="1" type="act_of_writing" xml:id="div_5c11115f-cd19-43d7-8312-1f78ba35800e"> <docAuthor key="PSN0115273" resp="author" style="hidden">Taylor, John Edward</docAuthor> <docAuthor key="PSN0115273" resp="writer" style="hidden">Taylor, John Edward</docAuthor> <dateline rend="right">London</dateline> <dateline rend="right">3. Regent Square</dateline> <salute rend="left">My dear Friend,</salute> <p style="paragraph_without_indent">Prof. <persName xml:id="persName_164bcf09-dc8c-4e50-8a3e-b727d7838ded">Weber<name key="PSN0115646" style="hidden" type="person">Weber, Eduard Friedrich Wilhelm (1806-1871)</name></persName>, who is about to return to Germany has kindly offered to take letters for me, and I am glad to avail myself of this opportunity of writing you a few lines, and of sending you a copy of my Father’s Inaugural Lectures, which he lately delivered on his appointment to the Greham Professorship for Music.<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_78599a29-1bae-401c-9481-9a7b4d6e03be" xml:lang="en">the Greham Professorship for Music – Die erste Professur für Musik wurde von Sir Thomas Graham in dem von ihm im Jahre 1575 gegründeten College eingerichtet.</note> He is at present absent from town, or I doubt not he would have written to you. </p> <p> You have perhaps not heard that my cousin <persName xml:id="persName_18f53363-6cc5-4300-b3fa-1449a8ef030b">Susan<name key="PSN0115277" style="hidden" type="person">Taylor, Susan (Susanne) (1812-1841)</name></persName> is engaged to be married to our excellent friend D<hi rend="superscript">r</hi> <persName xml:id="persName_e1a806ff-abda-4d01-9ac7-7c7eba5f9511">Rigby<name key="PSN0114210" style="hidden" type="person">Rigby, Edward (1804-1860)</name></persName>,<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_92b33b5e-361b-4ba5-a151-7461e38bdd33" xml:lang="en">my cousin Susan is engaged to be married … Dr Rigby – Edward Rigby heiratete im September 1838 Susan, die zweite Tochter von John Taylor. Sie starb 1841 und hinterließ eine Tochter.</note> whom by the bye I believe you know, <persName xml:id="persName_065cfc59-b893-4f7a-b6db-5ffcb238fe73">Richard<name key="PSN0115275" style="hidden" type="person">Taylor, Richard (1810-1883)</name></persName> soon followed the example, &<seg type="pagebreak"> |2| <pb n="2" type="pagebreak"></pb></seg>is to be married next month. <persName xml:id="persName_69b00682-3222-4766-9e68-d782b3e60e54">The lady of his choice<name key="PSN0119469" style="hidden" type="person">Taylor, Caroline Ann</name></persName> resides in Cornwall – a niece of <persName xml:id="persName_9a841229-ff84-4679-a403-1bec20cbd969">Richard’s<name key="PSN0115275" style="hidden" type="person">Taylor, Richard (1810-1883)</name></persName> friend Sir <persName xml:id="persName_e05389bc-d0f6-4873-997b-cae1bf74a1b0">Charles Lennon<name key="PSN0119470" style="hidden" type="person">Lennon, Charles</name></persName>.</p> <p><persName xml:id="persName_adee4fb5-73a7-4473-ba75-a7dca174a263">Susan’s<name key="PSN0115277" style="hidden" type="person">Taylor, Susan (Susanne) (1812-1841)</name></persName> marriage is to take place in September at <hi n="1" rend="underline"><placeName xml:id="placeName_2b6c10f5-d6c1-4c8a-b710-ce93ed9396af">Coed Dhû<settlement key="STM0100165" style="hidden" type="locality">Coed Du</settlement><country style="hidden">Großbritannien</country></placeName></hi>! – </p> <p>My friend <persName xml:id="persName_05b83b45-3ff4-48ea-872d-e59500246554">Handley<name key="PSN0112000" style="hidden" type="person">Hill-Handley, Edwin (?-1843)</name></persName> is now sitting at my elbow; he desires to be remembered to you; & is delighted to hear that you are composing an Opera.<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_2158d1fc-8cf3-4309-a3de-df56687f8c3f" xml:lang="en">you are composing an Opera – William Chappell hatte Felix Mendelssohn Bartholdy vorgeschlagen, eine Oper auf ein Libretto von James Robinson Planché zu komponieren. Felix Mendelssohn Bartholdy war mit Planché seit seinem zweiten England-Aufenthalt 1832 persönlich bekannt. Chappell bot Felix Mendelssohn Bartholdy dann in seinem Brief gb-1837-10-05-01 vom 5. Oktober 1837 300 Pfund Sterling für die Komposition der Oper an (vgl. fmb-1837-11-17-01, Brief Nr. 1768, Z. 70). In der Folgezeit wurde das Opernlibretto, das die Belagerung von Calais durch Edward III. thematisierte, zwischen Chappell, Planché und Felix Mendelssohn Bartholdy unter dem Arbeitstitel »The brothers« diskutiert. Gelegentlich wurden auch die Bezeichnungen »Edward III and the Siege of Calais« bzw. »Eduard III. und die Belagerung von Calais« verwendet. Letztlich lehnte Felix Mendelssohn Bartholdy den Text ab und zog sich um die Jahreswende 1839/40 von dem Projekt zurück. Siehe dazu Planché, Recollections and Reflections, Bd. 1, S. 279 ff., Todd, On Mendelssohn’s Operatic Destiny, S. 117 f., und Todd, Felix Mendelssohn Bartholdy, S. 406. </note> He requests me to enclose to you a pamphlet he has just written, on a subject in which he believes you have heretofore taken a deep interest.</p> <p>I have nothing new to communicate on the state of Music here. The taste of the higher classes is growing more & more corrupted – there is no hope of amendment in <hi n="1" rend="underline">that quarter</hi>. It is to the middle classes of Society we must look – and <hi n="1" rend="underline">there</hi> are indications of a growing desire of in<seg type="pagebreak"> |3| <pb n="3" type="pagebreak"></pb></seg>struction, & consequently of a better taste, – at least one unstackled by the prejudices & ignorance of fashion. We are very anxious to hear tiding of the appearance of your Opera: any work from the Composer of <hi rend="latintype"><title xml:id="title_0151d8d8-d64f-424b-b630-f9784d73be85">Paul<list style="hidden" type="fmb_works_directory" xml:id="title_lown29bm-pbfk-mvcp-lnxp-1jj9ojqidyge"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100114" style="hidden">Paulus / St. Paul, Oratorium nach Worten der Heiligen Schrift für Solostimmen, gemischten Chor, Orchester und Orgel, [1832] bis 18. April 1836<idno type="MWV">A 14</idno><idno type="op">36</idno></name></title></hi> will be welcomed &, I hope, <hi n="1" rend="underline">appreciated</hi>, in this country: you will believe that we <add place="above"><persName xml:id="persName_dee66263-cef4-48c0-a38a-f4947d0cbb96">Taylors<name key="PSN0115264" style="hidden" type="person">Taylor, Familie von → John T.</name></persName><name key="PSN0115273" resp="writers_hand" style="hidden">Taylor, John Edward</name></add>, are <gap quantity="1" reason="deletion" unit="words"></gap> not amongst the least interested in its appearance & success.</p> <closer rend="left">Excuse my writing in haste – & believe me, </closer> <closer rend="right">Yours most sincerely</closer> <signed rend="right"><hi n="1" rend="underline">John Edw. Taylor.</hi></signed> <dateline rend="left"><date cert="high" when="1838-07-13" xml:id="date_dbd63749-fefc-41fb-8a78-a431502486bf">July 13. 1838</date>. – </dateline> </div> </body> </text></TEI>