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Charles Greville an Felix Mendelssohn Bartholdy in Leipzig <lb></lb> Bath, 12. Dezember 1837 In sending for your inspection The Dramatic Poem of Elijah, adapted for an Oratorio, I know I am dealing with a Gentleman of honour and may fully depend upon its being returned if not accepted Felix Mendelssohn Bartholdy Correspondence Online (FMB-C) unbekannt unbekannt Greville, Charles (1762-1832)Greville, Charles (1762-1832) Transkription: FMB-C Edition: Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin
Am Kupfergraben 5 10117 Berlin Deutschland
http://www.mendelssohn-online.com Creative Commons Attribution 4.0 International (CC BY 4.0)

Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)

Großbritannien Oxford GB-Ob Oxford, Bodleian Library Music Section M.D.M. d. 32/153. Autograph Charles Greville an Felix Mendelssohn Bartholdy in Leipzig; Bath, 12. Dezember 1837 In sending for your inspection The Dramatic Poem of Elijah, adapted for an Oratorio, I know I am dealing with a Gentleman of honour and may fully depend upon its being returned if not accepted

1 Bl.: S. 1-2 Brieftext; S. 3 leer, S. 4 Adresse. – Der Brief ist vollständig in lateinischen Buchstaben geschrieben.

Charles Greville

Zwei Briefe: Der erste beigelegte, von Greville verfasste und an James Barry adressierte Brief ist mit »Kensington Palace. 30st November, 1837« datiert (GB-Ob, M.D.M. d. 32/134); er enthält das Einverständnis der Herzogin von Kent, den Druck von Barrys Elias-Text mit der Widmung »dedicated, by permission to the Royal Highness the Duchess of Kent« zu versehen. Der zweite, von James Barry geschriebene und an Charles Greville gerichtete Brief (GB-Ob, M.D.M. d. 32/135) ist mit »Friday« datiert (der 1. Dezember 1837 [?]); Barry gibt darin die Erlaubnis, das Schreiben des Kensington Palace dem (potenziellen) Komponisten des Librettos zuzusenden.

Green Books

Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.

Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.

12. Dezember 1837 Greville, Charles (1762-1832)counter-resetGreville, Charles (1762–1832) Bath Großbritannien Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) Leipzig Deutschland englisch
Mr MendelssohnLeipzig.
Greville, Charles (1762–1832) Greville, Charles (1762–1832) Vineyards Bath December 12th/ 37. Sir /

In sending for your inspection The Dramatic Poem of Elijah,<name key="PSN0109671" style="hidden" type="author">Barry, James (1806–1849)</name><name key="CRT0107942" style="hidden" type="literature">Elijah, or the Baalim in Israel</name> adapted for an Oratorio, I know I am dealing with a Gentleman of honour and may fully depend upon its being returned if not accepted by you for setting to music – The manuscript, as stated in the little page, is the work of a highly talented young friend ofGreville, Charles (1762–1832) Gentleman mine, and he has given me the entire disposal of it – And as I am informed you are a great admirer of English Literature, I am sure you will fully appreciate the merit of this Poem.

Should you deem it worthy writing your Name with it as the Composer |2| of the Oratorio – it is quite at your Service – Several Literary persons of distinction have paged a most flattering judgement upon it. And as permission is obtained to dedicate both Music and Poetry to the Duchess of KentSachsen-Coburg-Saalfeld, Marie Louise Victoire von (1786-1861), I think a shadow of a doubt cannot exist in regard to its success – Your Eminence as a Composer, will of course ensure you a very satisfactory compensation for your labour, with almost any first rate published in LondonLondonGroßbritannien. But of course when you have completed it I should feel much obliged by your informing me of the person you may be disposed to offer it to – as we then shall make our arrangements. I have enclosed the letter which contains the permission of Dedication – I remain yours most obdtlyobdtly – engl. obediently, ergebenster, gehorsamster.

Charles Greville

18 Vineyards – Bath Somersetshire.

            Vineyards Bath December 12th/ 37. Sir /
In sending for your inspection The Dramatic Poem of Elijah, adapted for an Oratorio, I know I am dealing with a Gentleman of honour and may fully depend upon its being returned if not accepted by you for setting to music – The manuscript, as stated in the little page, is the work of a highly talented young friend of Gentleman mine, and he has given me the entire disposal of it – And as I am informed you are a great admirer of English Literature, I am sure you will fully appreciate the merit of this Poem.
Should you deem it worthy writing your Name with it as the Composer of the Oratorio – it is quite at your Service – Several Literary persons of distinction have paged a most flattering judgement upon it. And as permission is obtained to dedicate both Music and Poetry to the Duchess of Kent, I think a shadow of a doubt cannot exist in regard to its success – Your Eminence as a Composer, will of course ensure you a very satisfactory compensation for your labour, with almost any first rate published in London. But of course when you have completed it I should feel much obliged by your informing me of the person you may be disposed to offer it to – as we then shall make our arrangements. I have enclosed the letter which contains the permission of Dedication – I remain yours most obdtly
Charles Greville
18 Vineyards – Bath Somersetshire.          
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And as permission is obtained to dedicate both Music and Poetry to the <persName xml:id="persName_51a61fe0-e255-4b71-95ee-5b7ef488dbcf">Duchess of Kent<name key="PSN0119638" style="hidden" type="person">Sachsen-Coburg-Saalfeld, Marie Louise Victoire von (1786-1861)</name></persName>, I think a shadow of a doubt cannot exist in regard to its success – Your Eminence as a Composer, will of course ensure you a very satisfactory compensation for your labour, with almost any first rate published in <placeName xml:id="placeName_0046161f-9da5-403b-bf1e-bcbee9be48f2">London<settlement key="STM0100126" style="hidden" type="locality">London</settlement><country style="hidden">Großbritannien</country></placeName>. But of course when you have completed it I should feel much obliged by your informing me of the person you may be disposed to offer it to – as we then shall make <hi n="1" rend="underline">our</hi> arrangements. I have enclosed the letter which contains the permission of Dedication – I remain yours most obdt<hi rend="superscript">ly</hi><note resp="FMBC" style="hidden" type="word_description" xml:id="note_fc95f839-4a36-4ec7-bcb0-dedc04d3fcd7" xml:lang="en">obdtly – engl. obediently, ergebenster, gehorsamster.</note></p> <div xml:id="div_463ebcfc-570a-427a-9b41-772d90db56f5"> <signed rend="right">Charles Greville</signed> </div> <div type="sender_address" xml:id="div_f390e1a1-4535-42c6-858f-e34ef7576821"> <p style="paragraph_left"> <address> <addrLine>18 Vineyards – <hi n="1" rend="underline">Bath</hi></addrLine> <addrLine>Somersetshire.</addrLine> </address> </p> </div> </div> </body> </text></TEI>