gb-1834-02-26-01
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Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)
1 Doppelbl.: S. 1-4 Brieftext. – Der Brief ist vollständig in lateinischen Buchstaben geschrieben.
Elizabeth Horsley
Green Books
Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.
Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.
y26
th1834
r Horsley
Mr r
You must oblige me by accepting a little remembrance of the
r
We are all well & looking forward with great delight to Monday when we are to hear the
thH. Horsley
Kensington Gravel Pits Feby 26th 1834. My dear Sir
Mr Horsley deputes me to write a few lines to you for him. He is so very much occupied this week that he has not been able to command a moment’s time for any other purpose than business. He begs me to give you his kindest regards & to tell you he has completed two Motetts – one Latin the other English. The former was tried at the Philharmonic on Thursday week, ineffectively, as you may suppose, when I tell you that it was asked afterwards “if the last chorus were for Tenors & Basses only”, the Cantus never having been heard at all. –
Mr Horsley hopes it will not be very long before you send him the promised letter which he has looked for ever since Mr Klingemann’s return. I wish you may like the lines on Spring which I enclose & that you may think part of them adapted for music.
You must oblige me by accepting a little remembrance of the Ottetto in the shape of some book shelves, which I hope may not be useless to you. I could get nothing better than the brass headed nail I send, to support them, even in our far-famed manufac turing country. Every thing of the ornamental Kind is made with a screw instead of a nail, and as Mr Klingemann decided that the wall of your room was brick, I knew it would be of no use to send one.
We are all well & looking forward with great delight to Monday when we are to hear the Isles of Fingal . All write in best compliments to you & believe me, dear Sir Yours very sincerely
Elizth H. Horsley
Will not the Abbey Festival give us some chance of seeing you this year? When you do write, pray do not forget to tell us news of your Father.
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Februar 1834</title> <incipit>Mr Horsley deputes me to write a few lines to you for him. He is so very much occupied this week that he has not been able to command a moment’s time for any other</incipit> </msItem> </msContents> <physDesc><p>1 Doppelbl.: S. 1-4 Brieftext. – Der Brief ist vollständig in lateinischen Buchstaben geschrieben.</p><handDesc hands="1"><p>Elizabeth Horsley</p></handDesc><accMat><listBibl><bibl type="none"></bibl></listBibl></accMat></physDesc> <history> <provenance> <p>Green Books</p> </provenance> </history> </msDesc> </sourceDesc> </fileDesc> <encodingDesc><projectDesc><p>Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.</p></projectDesc><editorialDecl><p>Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation> <date cert="high" when="1834-02-26">26. Februar 1834</date> </creation> <correspDesc> <correspAction type="sent"> <persName key="PSN0112103" resp="author">Horsley, Elizabeth Hutchins (1793-1875)</persName><note>counter-reset</note><persName key="PSN0112103" resp="writer">Horsley, Elizabeth Hutchins (1793–1875)</persName> <placeName type="writing_place"> <settlement key="STM0100184">Kensington</settlement> <country>Großbritannien</country> </placeName> </correspAction> <correspAction type="received"> <persName key="PSN0000001" resp="receiver">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName> <placeName type="receiving_place"> <settlement key="STM0100109">Düsseldorf</settlement> <country>Deutschland</country> </placeName> </correspAction> </correspDesc> <langUsage> <language ident="en">englisch</language> </langUsage> </profileDesc> <revisionDesc status="draft"> </revisionDesc> </teiHeader> <text type="letter"> <body> <div n="1" type="act_of_writing"> <docAuthor key="PSN0112103" resp="author" style="hidden">Horsley, Elizabeth Hutchins (1793–1875)</docAuthor> <docAuthor key="PSN0112103" resp="writer" style="hidden">Horsley, Elizabeth Hutchins (1793–1875)</docAuthor> <dateline rend="right">Kensington Gravel Pits</dateline> <dateline rend="right"><date cert="high" when="1834-02-26">Feb<hi rend="superscript">y</hi> 26<hi rend="superscript">th</hi> 1834</date>.</dateline> <salute rend="left">My dear Sir</salute> <p style="paragraph_without_indent"><persName xml:id="persName_53fa0944-7913-47cc-b7cf-d4a73cac4300">M<hi rend="superscript">r</hi> Horsley<name key="PSN0112109" style="hidden" type="person">Horsley, William (1774-1858)</name></persName> deputes me to write a few lines to you for him. He is so very much occupied this week that he has not been able to command a moment’s time for any other purpose than business. He begs me <add place="above">to<name key="PSN0112103" resp="writers_hand" style="hidden">Horsley, Elizabeth Hutchins (1793–1875)</name></add> give you his kindest regards & to tell you he has completed <title xml:id="title_ae33443d-9f66-4349-bbdd-9dd1935e2163">two Motetts – one Latin the other English<name key="PSN0112109" style="hidden" type="author">Horsley, William (1774–1858)</name><name key="CRT0109372" style="hidden" type="music">Exaltabo te, Deus</name><name key="PSN0112109" style="hidden" type="author">Horsley, William (1774–1858)</name><name key="CRT0109375" style="hidden" type="music">O God the King of Glory</name></title>.<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_4b077c9b-5f61-4eca-8c15-c8d8a253e84c" xml:lang="en">vgl. Brief fmb-1834-04-03-01 (Brief Nr. Nr. 890) Felix Mendelssohn Bartholdy an William Horsley in London; Düsseldorf, 3. April 1834, Kommentar zu Z. 8.</note> The<seg type="pagebreak"> |2| <pb n="2" type="pagebreak"></pb></seg>former was tried at the <placeName xml:id="placeName_da6d5480-164f-4226-9e96-87b30a7ba82d">Philharmonic<name key="NST0100287" style="hidden" subtype="" type="institution">Philharmonic Society</name><settlement key="STM0100126" style="hidden" type="locality">London</settlement><country style="hidden">Großbritannien</country></placeName> on Thursday week, ineffectively, as you may suppose, when I tell you that it was asked afterwards “if the last chorus were for Tenors & Basses only”, the Cantus never having been heard at all. –</p> <p>Mr <persName xml:id="persName_7d590084-ded4-4a3b-b8d4-ac2a5206131a">Horsley<name key="PSN0112109" style="hidden" type="person">Horsley, William (1774-1858)</name></persName> hopes it will not be very long before you send him the promised letter<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_d9ce5674-9cfd-4fcd-8e99-78807b1f4ceb" xml:lang="en">the promised letter – vgl. Brief fmb-1834-02-07-04 (Brief Nr. Nr. 858) Felix Mendelssohn Bartholdy an Carl Klingemann in London, Düsseldorf, 7. Februar 1834. Darin lässt Felix Mendelssohn Bartholdy den Horsleys ausrichten, er schicke in den nächsten Wochen einen Brief und Noten.</note> which he has looked for ever since<seg type="pagebreak"> |3| <pb n="3" type="pagebreak"></pb></seg>M<hi rend="superscript">r</hi> <persName xml:id="persName_3e85e6c3-5b4c-4fbd-a52a-16697bd2d6b5">Klingemann’s<name key="PSN0112434" style="hidden" type="person">Klingemann, Ernst Georg Carl Christoph Konrad (1798-1862)</name></persName> return.<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_f6ca7b93-82c8-41a6-be10-76fc0ec6f7c8" xml:lang="en">Mr Klingemann‘s return – Klingemann besuchte Mendelssohn im Oktober/November 1833. Vgl. Brief gb-1833-11-20-01 Friedrich Rosen an Felix Mendelssohn Bartholdy in Düsseldorf; Detmold, 20. November 1833.</note> I wish you may like the lines on Spring<note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_c5e335a8-8ed8-4fc3-a26e-c916cc341f0f" xml:lang="en">the lines on Spring – Lieder Mendelssohns auf der Grundlage von Texten Elizabeth Horsleys lassen sich nicht nachweisen.</note> which I enclose & that you may think part of them adapted for music.</p> <p>You must oblige me by accepting a little remembrance of the <title xml:id="title_91180efa-6968-4c30-b615-2afe36aebc86">Ottetto<list style="hidden" type="fmb_works_directory" xml:id="title_0dteuqlt-liud-mfsq-ukf5-wrpskxfpbehz"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="chamber_music" style="hidden"></item> <item n="4" sortKey="chamber_music_works_without_piano" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100391" style="hidden">Oktett Es-Dur für vier Violinen, zwei Violen und zwei Violoncelli, 15. Oktober 1825<idno type="MWV">R 20</idno><idno type="op">20</idno></name></title> in the shape of some book shelves, which I hope may not be useless to you. I could get nothing better than the brass headed nail I send, to support them, even in our far-famed manufac<seg type="pagebreak"> |4| <pb n="4" type="pagebreak"></pb></seg>turing country. Every thing of the ornamental Kind is made with a screw instead of a nail, and as M<hi rend="superscript">r</hi> <persName xml:id="persName_5635c96b-10cd-4744-9024-efbbca8d7630">Klingemann<name key="PSN0112434" style="hidden" type="person">Klingemann, Ernst Georg Carl Christoph Konrad (1798-1862)</name></persName> decided that the wall of your room was brick, I knew it would be of no use to send one.</p> <p>We are all well & looking forward with great delight to Monday when we are to hear the <title xml:id="title_8cb15259-1a86-4f0d-97e1-825a79baabba">Isles of Fingal<list style="hidden" type="fmb_works_directory" xml:id="title_svffl0l5-wekk-qqda-kvwi-ayk8vk7pnv9u"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100363" style="hidden">Konzert-Ouvertüre Nr. 2 Die Hebriden / The Isles of Fingal (Zur einsamen Insel) h-Moll (»Fingals Höhle«), 7. August 1829 bis 16. Dezember 1830; Umarbeitung bis 20. Juni 1832<idno type="MWV">P 7</idno><idno type="op">26</idno></name></title>. <seg type="closer">All write in best compliments to you & believe me, dear Sir Yours very sincerely</seg></p> <signed rend="right">Eliz<hi rend="superscript">th</hi> H. Horsley</signed> </div> <div n="2" type="act_of_writing"> <docAuthor key="PSN0112103" resp="author" style="hidden">Horsley, Elizabeth Hutchins (1793–1875)</docAuthor> <docAuthor key="PSN0112103" resp="writer" style="hidden">Horsley, Elizabeth Hutchins (1793–1875)</docAuthor> <p style="paragraph_without_indent"><seg type="pagebreak"> |5| <pb n="5" type="pagebreak"></pb></seg>Will not the <placeName xml:id="placeName_39ee88cd-adf5-4f2c-91d9-f39f85bfc722">Abbey Festival<name key="NST0100308" style="hidden" subtype="" type="institution">Royal Musical Festival (1834)</name><settlement key="STM0100126" style="hidden" type="locality">London</settlement><country style="hidden">Großbritannien</country></placeName><note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_a9e25969-9de8-44fe-91a4-488fdcea2a2b" xml:lang="en">Abbey Festival – Gemeint ist das Royal Musical Festival, das im Juni 1834 in Londons Westminster Abbey stattfand, als Nachahmung des Musikfests von 1784. </note> give us some chance of seeing you this year? When you do write, pray do not forget to tell us news of your <persName xml:id="persName_304bc24f-d84f-485f-b14e-e2a9e42a36e7">Father<name key="PSN0113247" style="hidden" type="person">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Abraham Ernst (bis 1822: Abraham Moses) (1776-1835)</name></persName>.</p> </div> </body> </text></TEI>