gb-1834-02-11-01
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Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)
1 Doppelbl.: S. 1-2 Brieftext; S. 3 leer; S. 4 Adresse, 3 Poststempel [F 34 / 220], [Engeland / over Rotterdam], [N ? / 13 (?) / 2], Siegel. – Der Brief ist vollständig in lateinischen Buchstaben geschrieben.
Joseph Haydon Bourne Dando
Green Books
Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.
Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.
th1834
On Wednesday the d of April 1834c &c at which r Spagnolettir Alsagerd of march The Mid-summer nights Dream.<list style="hidden" type="fmb_works_directory" xml:id="title_jr6nqf9y-9cy7-af0g-hesy-g0l9xn97gvab"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100359" style="hidden">Konzert-Ouvertüre Nr. 1 zu Shakespeares Sommernachtstraum E-Dur, [Juli 1826] bis 6. August 1826<idno type="MWV">P 3</idno><idno type="op">21</idno></name>” with such a Band; I have determined to write and ask you, whether you are really comingto London, also the date of your arrival, and if I may rely on being enabled to avail myself of your exquisite Talents on that – to me – Eventful Evening –
P. S.
We intend doing the
th) – when we tryed
dtime) – Once more let me beg of you to write as Early as possible,
and Commands.
31 Burton Street Burton Crescent February 11th 1834. My dear Sir
On Wednesday the 2d of April 1834, I intend having a Grand Concert in the City of London under the patronage of the Lord Mayor – the great amateurs &c &c at which Sir George Smart will conduct – Mr Spagnoletti will Lead, and the PHILHARMONIC BAND will play. You will therefore see by this statement that the Concert will be given on the grandest scale possible. – Our mutual friend Mr Alsager the other day reminded me that you were expected in London during the Philharmonic season, which commences on the 3d of march and he said it would be a great thing if I could induce you to render me your assistance on the occasion, and this being a thought which had suggested itself to me some many time before I of course readily agreed with, and as I have long wished to indulge the Citizens by performing your delightful Overture “The Mid-summer nights Dream. ” with such a Band; I have determined to write and ask you, whether you are really coming to London, also the date of your arrival, and if I may rely on being enabled to avail myself of your exquisite Talents on that – to me – Eventful Evening – Pray, do me the favor to write at your Earliest Convenience and greatly oblige
Yours Faithfully
J. H. B. Dando
P. S.
We intend doing the Pastoral Symphony, and as a second overture the Oberon – Lindley will play, and the Singers will be from the Italian Opera-House – We had a Trial of new Compositions at the Philhamonic on Thursday Evening last (the 6th) – when we tryed a new Symphony of Potter (good) . and a charming overture of yours – was much admired and went pretty well – (the 2d time) – Once more let me beg of you to write as Early as possible, if tell me that you are, and have been well with all other particulars and Commands.
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Februar 1834</title> <incipit>On Wednesday the 2d of April 1834, I intend having a Grand Concert in the City of London under the patronage of the Lord Mayor – the great amateurs &c &c at which Sir George</incipit> </msItem> </msContents> <physDesc><p>1 Doppelbl.: S. 1-2 Brieftext; S. 3 leer; S. 4 Adresse, 3 Poststempel [F 34 / 220], [Engeland / over Rotterdam], [N ? / 13 (?) / 2], Siegel. – Der Brief ist vollständig in lateinischen Buchstaben geschrieben.</p><handDesc hands="1"><p>Joseph Haydon Bourne Dando</p></handDesc><accMat><listBibl><bibl type="none"></bibl></listBibl></accMat></physDesc> <history> <provenance> <p>Green Books</p> </provenance> </history> </msDesc> </sourceDesc> </fileDesc> <encodingDesc><projectDesc><p>Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.</p></projectDesc><editorialDecl><p>Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation> <date cert="high" when="1834-02-11">11. Februar 1834</date> </creation> <correspDesc> <correspAction type="sent"> <persName key="PSN0110548" resp="author">Dando, Joseph Haydon Bourne (1806-1894)</persName><note>counter-reset</note><persName key="PSN0110548" resp="writer">Dando, Joseph Haydon Bourne (1806–1894)</persName> <placeName type="writing_place"> <settlement key="STM0100126">London</settlement> <country>Großbritannien</country> </placeName> </correspAction> <correspAction type="received"> <persName key="PSN0000001" resp="receiver">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName> <placeName type="receiving_place"> <settlement key="STM0100109">Düsseldorf</settlement> <country>Deutschland</country> </placeName> </correspAction> </correspDesc> <langUsage> <language ident="en">englisch</language> </langUsage> </profileDesc> <revisionDesc status="draft"></revisionDesc> </teiHeader> <text type="letter"> <body> <div type="address"> <head> <address> <addrLine>Mr F. Mendelssohn Bartholdy</addrLine> <addrLine>Dusseldorf</addrLine> <addrLine>on the</addrLine> <addrLine>Rhine</addrLine> </address> </head> </div> <div n="1" type="act_of_writing"> <docAuthor key="PSN0110548" resp="author" style="hidden">Dando, Joseph Haydon Bourne (1806–1894)</docAuthor> <docAuthor key="PSN0110548" resp="writer" style="hidden">Dando, Joseph Haydon Bourne (1806–1894)</docAuthor> <dateline rend="right">31 Burton Street</dateline> <dateline rend="right">Burton Crescent</dateline> <dateline rend="right"><date cert="high" when="1834-02-11">February 11<hi rend="superscript">th</hi> 1834</date>.</dateline> <salute rend="left">My dear Sir</salute> <p style="paragraph_without_indent">On Wednesday the <date cert="high" when="1834-04-02">2<hi rend="superscript">d</hi> of April 1834</date>, I intend having a Grand Concert in the City of <placeName xml:id="placeName_47056e9e-a1d8-4bd9-864e-eee54962a87a">London<settlement key="STM0100126" style="hidden" type="locality">London</settlement><country style="hidden">Großbritannien</country></placeName> under the patronage of the <persName xml:id="persName_968a2069-9576-4cbe-8c7c-58bbac9695eb">Lord Mayor<name key="PSN0118641" style="hidden" type="person">Winchester, Henry (1777-1838)</name></persName><note resp="FMBC" style="hidden" type="single_place_comment" xml:id="note_d46c768d-37cc-4bd5-93e3-17805f96c9e4" xml:lang="de">Lord Mayor – Bürgermeister von London war im Jahr 1834 Henry Winchester.</note> – the great amateurs &<hi rend="superscript">c</hi> &<hi rend="superscript">c</hi> at which <persName xml:id="persName_9cb19a2a-b450-4019-b73f-f1048ce2c38c">Sir George Smart<name key="PSN0114944" style="hidden" type="person">Smart, Sir George Thomas (1776-1867)</name></persName> will conduct – <persName xml:id="persName_019a5d32-0873-4489-8ada-1d0c3f17ce92">M<hi rend="superscript">r</hi> Spagnoletti<name key="PSN0115001" style="hidden" type="person">Spagnoletti, Paolo (1773-1834)</name></persName> will Lead, and the <placeName xml:id="placeName_17aaae57-e1f2-403a-9ccc-2d4f5d0e8528">PHILHARMONIC BAND<name key="NST0100287" style="hidden" subtype="" type="institution">Philharmonic Society</name><settlement key="STM0100126" style="hidden" type="locality">London</settlement><country style="hidden">Großbritannien</country></placeName> will play. You will therefore see by this statement that the Concert will be given on the grandest scale possible. – Our mutual friend <persName xml:id="persName_940e533b-e3db-4123-8ba9-3c11d4b4c8ae">M<hi rend="superscript">r</hi> Alsager<name key="PSN0109448" style="hidden" type="person">Alsager, Thomas Massa (1779-1846)</name></persName> the other day reminded me that you were expected in London during the Philharmonic season, [which commences on the <date cert="high" when="1834-03-03">3<hi rend="superscript">d</hi> of march</date>] and he said it would be a great thing if I could induce you to render me your assistance on the occasion, and this being a thought which had suggested itself to me some many time before I of course readily agreed with, and as I have long wished to indulge the Citizens by performing your delightful Overture “<hi n="1" rend="underline"><title xml:id="title_69b3bf30-5ad1-4a27-b9a6-84f41e57da4d">The Mid-summer nights Dream.<list style="hidden" type="fmb_works_directory" xml:id="title_jr6nqf9y-9cy7-af0g-hesy-g0l9xn97gvab"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100359" style="hidden">Konzert-Ouvertüre Nr. 1 zu Shakespeares Sommernachtstraum E-Dur, [Juli 1826] bis 6. August 1826<idno type="MWV">P 3</idno><idno type="op">21</idno></name></title></hi>” with such a Band; I have determined to write and ask you, <hi n="1" rend="underline">whether you are really coming</hi><seg type="pagebreak"> |2| <pb n="2" type="pagebreak"></pb></seg><hi n="1" rend="underline">to London</hi>, also the date of your arrival, and if I may rely on being enabled to avail myself of your exquisite Talents on that – to me – Eventful Evening – <seg type="closer">Pray, do me the favor to write at your Earliest Convenience and greatly oblige</seg></p> <signed rend="right">Yours Faithfully</signed> <signed rend="right">J. H. B. Dando</signed> </div> <div n="2" type="act_of_writing"> <docAuthor key="PSN0110548" resp="author" style="hidden">Dando, Joseph Haydon Bourne (1806–1894)</docAuthor> <docAuthor key="PSN0110548" resp="writer" style="hidden">Dando, Joseph Haydon Bourne (1806–1894)</docAuthor> <p style="paragraph_without_indent">P. S.</p> <p style="paragraph_without_indent">We intend doing the <title xml:id="title_cb3aa574-814b-45cb-8ecb-2c1044fba5a3">Pastoral Symphony<name key="PSN0109771" style="hidden" type="author">Beethoven, Ludwig van (1770–1827)</name><name key="CRT0108067" style="hidden" type="music">6. Sinfonie F-Dur, op. 68 (»Pastorale«)</name></title>, and as a second overture the <title xml:id="title_63230275-10c1-4af4-9cba-ca3c2d282fa5">Oberon<name key="PSN0115645" style="hidden" type="author">Weber, Carl Maria Friedrich Ernst von (1786–1826)</name><name key="CRT0111259" style="hidden" type="music">Oberon, or the Elf King’s Oath WeV C. 10</name></title> – <persName xml:id="persName_a5c90d64-f9a9-409f-96a0-8b8c68d6595d">Lindley<name key="PSN0112865" style="hidden" type="person">Lindley, Robert (1776-1855)</name></persName> will play, and the Singers will be from the Italian Opera-House – We had a Trial<note resp="FMBC" style="hidden" type="word_description" xml:id="note_2129c54d-046d-48a4-b3c8-70021a0c5d45" xml:lang="en">a Trial – eine öffentliche Probe.</note> of new Compositions at the <placeName xml:id="placeName_e6d2da6d-7184-48ca-94fe-b6d2462b981c">Philhamonic<name key="NST0100287" style="hidden" subtype="" type="institution">Philharmonic Society</name><settlement key="STM0100126" style="hidden" type="locality">London</settlement><country style="hidden">Großbritannien</country></placeName> on Thursday Evening last (the 6<hi rend="superscript">th</hi>) – when we tryed <title xml:id="title_f3be3468-a359-486d-b421-83c7e7090276">a new Symphony<name key="PSN0113968" style="hidden" type="author">Potter, Philip Cipriani Hambly (1792–1871)</name><name key="CRT0111717" style="hidden" type="music">2. Sinfonie D-Dur</name></title> of <persName xml:id="persName_c31ef218-738e-470e-a932-ed13f5f0f28b">Potter<name key="PSN0113968" style="hidden" type="person">Potter, Philip Cipriani Hambly (1792-1871)</name></persName> (good). and <title xml:id="title_f53aff8b-461e-4306-8fca-31dc9227a689">a charming overture of yours<list style="hidden" type="fmb_works_directory" xml:id="title_t22wudnp-auoj-gtya-lq3s-rzppxbveemvw"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100367" style="hidden">Konzert-Ouvertüre Nr. 4 zum Märchen von der schönen Melusine F-Dur, [März 1833] bis 14. November 1833; Umarbeitung bis 17. November 1835<idno type="MWV">P 12</idno><idno type="op">32</idno></name></title> – was much admired and went pretty well – (the 2<hi rend="superscript">d</hi> time) – Once more let me beg of you to write as Early as possible, <del cert="high" rend="strikethrough">if</del> tell me that you are, and have been well with all other particulars <hi n="1" rend="underline">and Commands</hi>.</p> </div> </body> </text></TEI>