fmb-1840-03-20-02
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Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)
4 beschr. S.; S. 4 Adresse, mehrere Poststempel, Adresse zur Weiterleitung von fremder Hand: »I Moscheles / 4 Chester Place / Chester Terrace / Regents Park«.
Felix Mendelssohn Bartholdy
-
Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.
Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.
London
thMarch 1840.
I am very happy to learn by your letter of the 6th that you are ready to publish my
According to your wish I arranged the Violin part for the Flute also; but I would propose to publish at first only the slow movement and Scherzo for Flute, Bass & Piano perhaps under the title „Andante & Rondo pour Piano, Flute & Basse (tiré de l’oeuvre 49) &c. &c.“ as I am almost sure that these two movements, even separately, will be played by amateurs with pleasure in that shape, while the first and last movement are more difficult, & less fit for a flute arrangement. Of course I leave the decision entirely with you and in the original shape (for Violin &c.) all the four movements must be published at once of course.
Mess. th of April as day of publication. I answered that it would suit me in case you had no objection, & as they said you were sure of the Copyright as soon as you had a Copy in your hands, & the form of
You will find in the parcel the Pianoforte part with the Violin & Violoncello part engraved above it, (in which shape it is to be published here) then the Bass part, and the Violin part arranged by me for Flute. The complete title is written on the Pianoforte part
Mr.
P. S. Mess.
Please to send a Copy of the
Leipzig 20th March 1840. Sir
I am very happy to learn by your letter of the 6th that you are ready to publish my Trio in your Country, & write these lines to acquaint you that I sent this day a copy of the work to my brothers house at Hamburgh, who will forward it immediately to you by the next Steamboat, so that in about a week I hope it will be in your hands.
According to your wish I arranged the Violin part for the Flute also; but I would propose to publish at first only the slow movement and Scherzo for Flute, Bass & Piano perhaps under the title „Andante & Rondo pour Piano, Flute & Basse (tiré de l’oeuvre 49) &c. &c. “ as I am almost sure that these two movements, even separately, will be played by amateurs with pleasure in that shape, while the first and last movement are more difficult, & less fit for a flute arrangement. Of course I leave the decision entirely with you and in the original shape (for Violin &c. ) all the four movements must be published at once of course.
Mess. Breitkopf & Härtel who wish to bring it out as soon as possible in this country, beg to fix the 9th of April as day of publication. I answered that it would suit me in case you had no objection, & as they said you were sure of the Copyright as soon as you had a Copy in your hands, & the form of Ewer & Co. being engraved on the German title page, I hope that this day may suit you also. In case it should not, I beg you will write me word immediately.
You will find in the parcel the Pianoforte part with the Violin & Violoncello part engraved above it, (in which shape it is to be published here) then the Bass part, and the Violin part arranged by me for Flute. The complete title is written on the Pianoforte part
Mr. Moscheles will have the kindness for me to look over the plates before they are published in England. I beg you will give him the enclosed letter, and send him a proof of the work as soon as it is ready, also ask his advice if there should be any dubious notes and in everything concerning the publication.
I am, Sir, your obedt Servt Felix Mendelssohn Bartholdy.
P. S. Mess. Schleinitz & David desire many kind regards to you; the sister of the last, Mrs. Dulken wrote from London to enquire for this Trio, as she wanted to perform it there in public; perhaps you will acquaint her, when you have it in your hands. Also Mrs. Schleinitz & David send their best thanks for your kind remembrance.
Please to send a Copy of the Trio, when it comes out, to Mr. Moscheles and to Mr. Klingemann, no. 4 Hobart Place, Eaton Square, Pimlico.
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Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation><date cert="high" when="1840-03-20" xml:id="date_1d152aa6-6a97-4c18-9134-0fe1bcd12199">20. März 1840</date></creation> <correspDesc> <correspAction type="sent"> <persName key="PSN0000001" resp="author" xml:id="persName_03a5c51f-fb5a-4701-a8da-3393a550028d">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName><note>counter-reset</note><persName key="PSN0000001" resp="writer">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName> <placeName type="writing_place" xml:id="placeName_487341ba-30f9-4382-b83f-11382a5fee27"> <settlement key="STM0100116">Leipzig</settlement><country>Deutschland</country> </placeName> </correspAction> <correspAction type="received"> <persName key="PSN0110967" resp="receiver" xml:id="persName_f2930827-7725-4542-9c67-dd94735ba128">J. J. Ewer & Co., Musikalienhandlung und Musikverlag in London</persName> <persName key="PSN0110235" resp="receiver" xml:id="persName_3af45de7-de66-472a-8e81-6770aed1306f">Buxton, Edward (1802-1868)</persName> <placeName type="receiving_place" xml:id="placeName_bc9769ff-cc16-4871-9567-d994b81765ef"> <settlement key="STM0100126">London</settlement><country>Großbritannien</country> </placeName> </correspAction> </correspDesc> <langUsage> <language ident="en">englisch</language> </langUsage> </profileDesc> <revisionDesc status="draft"> </revisionDesc> </teiHeader> <text type="letter"> <body> <div type="address" xml:id="div_cb3b495a-48a8-4c45-bb03-f2d7751e8672"> <head> <address> <addrLine>Edward Buxton</addrLine> <addrLine>Esqure</addrLine> <addrLine>Care of Mess. J. J. Ewer & Co.</addrLine> <addrLine>Bow churchyard</addrLine> <addrLine><hi n="1" rend="underline">London</hi></addrLine> </address> </head> </div> <div n="1" type="act_of_writing" xml:id="div_089008e5-8673-4318-adfd-dca8f25bc004"> <docAuthor key="PSN0000001" resp="author" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor> <docAuthor key="PSN0000001" resp="writer" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor> <dateline rend="right">Leipzig 20<hi rend="superscript">th</hi> March 1840.</dateline> <salute rend="left">Sir</salute> <p style="paragraph_without_indent">I am very happy to learn by your letter of the 6<hi rend="superscript">th</hi> that you are ready to publish my <title xml:id="title_93b40b15-e8e0-4314-8163-fe102baebd9a">Trio<list style="hidden" type="fmb_works_directory" xml:id="title_fp0dcccy-x1sc-ktjg-msqi-wpipykhcja2r"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="chamber_music" style="hidden"></item> <item n="4" sortKey="chamber_music_with_piano" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100387" style="hidden">Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, [Februar 1839] bis 18. Juli 1839; 23. September 1839<idno type="MWV">Q 29</idno><idno type="op">49</idno></name></title> in your Country, & write these lines to acquaint you that I sent this day a copy of the work to my <persName xml:id="persName_1ae49dc9-87f0-4940-badf-0a3629ce29ac">brothers<name key="PSN0113263" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Paul Hermann (1812-1874)</name></persName> house at Hamburgh, who will forward it immediately to you by the next Steamboat, so that in about a week I hope it will be in your hands.</p> <p>According to your wish I arranged the Violin part for the Flute also; but I would propose to publish at first only the slow movement and Scherzo for <hi rend="underline">Flute</hi>, Bass & Piano perhaps under the title „Andante & Rondo pour Piano, Flute & Basse (tiré de l’oeuvre 49) &c. &c.“ as I am almost sure that these two movements, even separately, will be played by amateurs with pleasure in that shape, while the first and last movement are more difficult, & less fit for a flute arrangement. Of course I leave the decision entirely with you and in the original shape (for Violin &c.) all the four movements must be published at once of course.</p> <p>Mess. <persName xml:id="persName_5dce0bce-1a0f-4c7f-b52c-23c15ca032eb">Breitkopf & Härtel<name key="PSN0110112" style="hidden">Breitkopf & Härtel (bis 1786: Breitkopf), Verlag und Musikalienhandlung in Leipzig</name></persName> who wish to bring it out as soon as possible in this country, beg to fix the 9<hi rend="superscript">th</hi> of April as day of publication. I answered that it would suit me in case you had no objection, & as they said you were sure of the Copyright as soon as you had a Copy in your hands, & the form of <persName xml:id="persName_219b708a-b552-4ca0-bc3e-13ed571475d7">Ewer & Co.<name key="PSN0110967" style="hidden">J. J. Ewer & Co., Musikalienhandlung und Musikverlag in London</name></persName> being engraved on the German title page, I hope that this day may suit you also. In case it should not, I beg you will write me word immediately.</p> <p>You will find in the parcel the Pianoforte part with the Violin & Violoncello part engraved above it, (in which shape it is to be published here) then the Bass part, and the Violin part arranged by me for Flute. The complete title is written on the Pianoforte part</p> <p>Mr. <persName xml:id="persName_f43ca05e-59f9-43c1-8634-34e1c4363df2">Moscheles<name key="PSN0113441" style="hidden">Moscheles, Ignaz (Isack) (1794-1870)</name></persName> will have the kindness for me to look over the plates before they are published in England. I beg you will give him the enclosed letter, and send him a proof of the work as soon as it is ready, also ask his advice if there should be any dubious notes and in everything concerning the publication.</p> <closer rend="left" xml:id="closer_3ff5d441-8650-49c2-ba05-d5d1ac21982c">I am, Sir, your obedt Servt</closer> <signed rend="right">Felix Mendelssohn Bartholdy.</signed> </div> <div n="2" type="act_of_writing" xml:id="div_e932f5ba-2a2d-412a-b12c-da6c4fdcbe9b"> <docAuthor key="PSN0000001" resp="author" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor> <docAuthor key="PSN0000001" resp="writer" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor> <p style="paragraph_without_indent">P. S. Mess. <persName xml:id="persName_fb6731f7-b542-4061-bdb2-bb321aa8f659">Schleinitz<name key="PSN0114568" style="hidden">Schleinitz, Juliane Constanze (1807-1852)</name></persName> & <persName xml:id="persName_e8752def-fe3e-4105-8a3b-4abff82d0680">David<name key="PSN0110564" style="hidden">David, Ernst Victor Carl Ferdinand (1810-1873)</name></persName> desire many kind regards to you; the sister of the last, Mrs. <persName xml:id="persName_5721b39b-1166-4092-9729-8ee7c01b08fb">Dulken<name key="PSN0110768" style="hidden">Dulcken, Marie Louise (1811-1850)</name></persName> wrote from London to enquire for this <title xml:id="title_3cfe9ebc-19d8-4577-9962-35c621c816b0">Trio<list style="hidden" type="fmb_works_directory" xml:id="title_f8bfaxmc-vw00-ijot-qssm-9duyhkh6dgkg"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="chamber_music" style="hidden"></item> <item n="4" sortKey="chamber_music_with_piano" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100387" style="hidden">Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, [Februar 1839] bis 18. Juli 1839; 23. September 1839<idno type="MWV">Q 29</idno><idno type="op">49</idno></name></title>, as she wanted to perform it there in public; perhaps you will acquaint her, when you have it in your hands. Also Mrs. <persName xml:id="persName_c2301961-9ca8-4036-a41c-0b6be634085e">Schleinitz<name key="PSN0114568" style="hidden">Schleinitz, Juliane Constanze (1807-1852)</name></persName> & <persName xml:id="persName_fa9ed2fd-07c5-4f52-b043-24d6c47efe97">David<name key="PSN0110574" style="hidden">David, Sophie Wilhelmine (1807-1893)</name></persName> send their best thanks for your kind remembrance.</p> <p>Please to send a Copy of the <title xml:id="title_543973b3-c9df-4ffa-a6af-dc64d811dc17">Trio<list style="hidden" type="fmb_works_directory" xml:id="title_a7gthr3x-antu-wies-xgfk-8gqwdczysikm"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="chamber_music" style="hidden"></item> <item n="4" sortKey="chamber_music_with_piano" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100387" style="hidden">Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, [Februar 1839] bis 18. Juli 1839; 23. September 1839<idno type="MWV">Q 29</idno><idno type="op">49</idno></name></title>, when it comes out, to Mr. <persName xml:id="persName_6b305b2e-0c35-4027-a58b-86d96e8ede84">Moscheles<name key="PSN0113441" style="hidden">Moscheles, Ignaz (Isack) (1794-1870)</name></persName> and to Mr. <persName xml:id="persName_446734cf-d890-479a-b90e-bea58da2a8d9">Klingemann<name key="PSN0112434" style="hidden">Klingemann, Ernst Georg Carl Christoph Konrad (1798-1862)</name></persName>, no. 4 Hobart Place, Eaton Square, Pimlico.</p> </div> </body> </text></TEI>