fmb-1839-11-28-02
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Leipzig, 28. November 1839
Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)
4 beschr. S.; Adresse, mehrere Poststempel. – Mehrfacher Textverlust durch beschädigtes Papier, Textergänzungen. Datierung nach Poststempel »28. N«.
Felix Mendelssohn Bartholdy
Sammlung Dr. Rudolf Elvers, Berlin (bis Anfang 2011).
Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.
Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.
Alfred Novello
London
My new
As for your question about Mr.
[…]ngly not know what terms I might ask; tell me what terms he […]d if it is worth my while I will send him […] which I am now contemplating.
[…]t I was sure to go next Whitsontide to
[…] on the life of St Peter will always have a great difficulty. […] [p]resence of Christ in the most prominent & most interesting […]ver Christ and his story are alluded to they […] feature & cannot be placed in the background, as here ought […] youth of Peter, his following his master, his repentance […] which indeed they cannot. However if the selection c[…] […]de, why should I not like an Orato[rio] […] it as well to English […]te […]
Our prima donna this season is a young Belgian singer, Mlle.
Who is Major Sir
As for my new compositions I have written something […] summer, but since September the
I sent you yesterday through the Mr.
Leipz… My dear Sir My new Psalm will not be published in this country for … months at least, and if I said something in my last letter … you think it was published, it can only be a new instance of … English style, in which I excel & which you must excuse at … send it to you for publication, it shall be two months before … to give you time for getting it translated &c, & the terms … same as with my 42d Psalm ; but as for „payable in 3 … day of publication“ which you add, this never was a c… which I agreed to as a condition; the money for a manuscript … for everything) ought to be payable at the receipts of it. … so in your & in my country. Of course you unders… not matter to me whether you pay me a sum three … & if you express the wish in a single instance … objection, it may be six months or a year after … as a condition I do not like to agree to it, … as I never dit it before. As for your question about Mr. Salamon, I hardly … to give. I thought of a new P. F. Concerto, … …n our Concerts this winter, but to q… …ons (particularly as I … …ngly not know what terms I might ask; tell me what terms he …d if it is worth my while I will send him … which I am now contemplating. …t I was sure to go next Whitsontide to Aix la Chapelle for the … had nearly accepted it; but they are getting up here an immense … to the celebration of Guttenbergs invention, and as I promised … & be present to it, I do not know if I shall be able to … glad I should be to see you again on the Rhine (with a … but if I can only have this Festival I fear your coming … the country is out of the question? Although I think that … here with better and more faithful friends of Clara than … … on the life of St Peter will always have a great difficulty. … presence of Christ in the most prominent & most interesting …ver Christ and his story are alluded to they … feature & cannot be placed in the background, as here ought … youth of Peter, his following his master, his repentance … which indeed they cannot. However if the selection c… …de, why should I not like an Oratorio … it as well to English …te … Our prima donna this season is a young Belgian singer, Mlle. Meerti made her debut at your Philharmonic last spring, & whose charm… voice has pleased me so much that the Directors try to keep her here … whole winter, to which she however does not seem inclined, as … go back after her engagement is over. Who is Major Sir Warwick Hele Toursin, who called (a… he was a friend of your family? As for my new compositions I have written something … summer, but since September the festival at Brunswick, the Concerts have taken up always all my leisure time. A new trio, which … often, is I think my best piece in the Pianoforte way … a new book of songs for one, and another for four voices, … for Pianoforte & for Organ, and several very large Choruses for an Oratorio which I have half in my head, but … there for the next years. I sent you yesterday through the Mr. Hermann Smith… gave me, the Violin part of my Sonata op. 45, which g… inclosed a little parcel for Mr. Klingemann, which I beg … his house And now enough of every thing. Answer me … very truly yours Felix Mendelssohn Bartholdy
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Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation><date cert="high" when="1839-11-28" xml:id="date_eed140f7-6568-4012-810c-3fee7f641d7e">28. November 1839</date></creation> <correspDesc> <correspAction type="sent"> <persName key="PSN0000001" resp="author" xml:id="persName_8ca597f5-8e8e-46be-af89-69dad6b7536d">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName><note>counter-reset</note><persName key="PSN0000001" resp="writer">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName> <placeName type="writing_place" xml:id="placeName_99dca9ab-38db-4e50-8479-f57e6f7847fc"> <settlement key="STM0100116">Leipzig</settlement><country>Deutschland</country> </placeName> </correspAction> <correspAction type="received"> <persName key="PSN0113624" resp="receiver" xml:id="persName_59da75b5-aabe-4aee-8aef-1d2914171a89">Novello, Joseph Alfred (1810-1896)</persName> <placeName type="receiving_place" xml:id="placeName_7f0578d5-2ce7-4518-9bde-03dbe9548cba"> <settlement key="STM0100126">London</settlement><country>Großbritannien</country> </placeName> </correspAction> </correspDesc> <langUsage> <language ident="en">englisch</language> </langUsage> </profileDesc> <revisionDesc status="draft"> </revisionDesc> </teiHeader> <text type="letter"> <body> <div type="address" xml:id="div_def273f9-684f-4c2e-bc1e-f23799bad732"> <head> <address> <addrLine>J. <hi n="1" rend="underline">Alfred Novello</hi></addrLine> <addrLine>Esqre</addrLine> <addrLine><hi n="1" rend="underline">London</hi></addrLine> <addrLine>69 Dean Street, Soho Square.</addrLine> </address> </head> </div> <div n="1" type="act_of_writing" xml:id="div_36fcc5c0-a61b-448d-838a-f4f3d7b570a3"> <docAuthor key="PSN0000001" resp="author" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor> <docAuthor key="PSN0000001" resp="writer" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor> <dateline rend="right">Leipz[…]</dateline> <salute rend="left">My dear Sir</salute> <p style="paragraph_without_indent">My new <title xml:id="title_5a12fde0-8fd8-4698-b038-7ffd90031f5b">Psalm<list style="hidden" type="fmb_works_directory" xml:id="title_sioj8wxn-bmg3-usej-g5ct-5fl5v9wtyok4"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100116" style="hidden">Der 95. Psalm »Kommt, lasst uns anbeten« für Solostimmen, gemischten Chor, Orchester und Orgel, 6. April 1838; [1839]; 3. Juli 1841<idno type="MWV">A 16</idno><idno type="op">46</idno></name></title> will not be published in this country for […] months at least, and if I said something in my last lette[r] […] you think it was published, it can only be a new instance of […] English style, in which I excel & which you must excuse at […] send it to you for publication, it shall be two months before […] to give you time for getting it translated &c, & the terms […] same as with my 42d <title xml:id="title_bb59ad45-c3eb-49ef-904e-03f934b38cb6">Psalm<list style="hidden" type="fmb_works_directory" xml:id="title_lr0uz7qn-vu8l-dcld-xjgd-aocgijyhrjb0"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100115" style="hidden">Der 42. Psalm »Wie der Hirsch schreit« für Solostimmen, gemischten Chor, Orchester und Orgel, April bis Juli 1837; 22. Dezember 1837<idno type="MWV">A 15</idno><idno type="op">42</idno></name></title>; but as for „payable in 3 […] day of publication“ which you add, this never was a c[…] which I agreed to as a condition; the money for a man[uscript] […] for everything) ought to be payable at the receipts of it. […] so in your & in my country. Of course you unders[…] not matter to me whether you pay me a sum three […] & if you express the wish in a single instance […] objection, it may be six months or a year after […] as a condition I do not like to agree to it, […] as I never dit it before.</p> <p>As for your question about Mr. <persName xml:id="persName_e8b4f314-9b51-4e95-98ce-8e3de022b153">Salamon<name key="PSN0114429" style="hidden">Salamon, Herr</name></persName>, I hardly […] to give. I thought of a <title xml:id="title_43feae3c-cdf5-4f19-beaf-ce20737dc47c">new P. F. Concerto<list style="hidden" type="fmb_works_directory" xml:id="title_578qjsis-wsug-ksch-6jlg-cvnnscn0few2"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="concerts_and_concertante_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100355" style="hidden">Konzert e-Moll für Klavier und Orchester, Fragment, [1842 bis 1844]<idno type="MWV">O 13</idno><idno type="op"></idno></name></title>, […] […]n our <placeName xml:id="placeName_0c6ec83e-b80a-4f86-8c0a-dccf6337edef">Concerts<name key="NST0100117" style="hidden" subtype="" type="institution">Gewandhaus</name><settlement key="STM0100116" style="hidden" type="">Leipzig</settlement><country style="hidden">Deutschland</country></placeName> this winter, but to q[…] […]ons (particularly as I […]</p> <p> […]ngly not know what terms I might ask; tell me what terms he […]d if it is worth my while I will send him […] which I am now contemplating.</p> <p>[…]t I was sure to go next Whitsontide to <placeName xml:id="placeName_5771a3be-e9e2-420c-a6ff-a579c89d0fac">Aix la Chapelle<name key="NST0100566" style="hidden" subtype="" type="institution">22. Niederrheinisches Musikfest (1840)</name><settlement key="STM0100106" style="hidden" type="">Aachen</settlement><country style="hidden">Deutschland</country></placeName> for the […] had nearly accepted it; but they are getting up here an immense […] to the <placeName xml:id="placeName_c45aad50-8950-4fb7-ad9c-a67560539688">celebration of Guttenbergs invention<name key="NST0103712" style="hidden" subtype="" type="institution">400-Jahr-Feier der Erfindung der Buchdruckerkunst 1840</name><settlement key="STM0100116" style="hidden" type="">Leipzig</settlement><country style="hidden">Deutschland</country></placeName>, and as I promised […] & be present to it, I do not know if I shall be able to […] glad I should be to see you again on the Rhine (with a […] but if I can only have this Festival I fear your coming […] the country is out of the question? Although I think that […] here with better and more faithful friends of <persName xml:id="persName_8043bd4c-198f-4a0d-9de9-487f0a71a369">Clara<name key="PSN0113621" style="hidden">Novello, Clara Anastasia (1818-1908)</name></persName> than […]</p> <p>[…] on the life of S<hi rend="superscript">t</hi> Peter will always have a great difficulty. […] [p]resence of Christ in the most prominent & most interesting […]ver Christ and his story are alluded to they […] feature & cannot be placed in the background, as here ought […] youth of Peter, his following his master, his repentance […] which indeed they cannot. However if the selection c[…] […]de, why should I not like an Orato[rio] […] it as well to English […]te […]</p> <p>Our prima donna this season is a young Belgian singer, Mlle. <persName xml:id="persName_036eec88-f70c-4489-b723-0792583b56f8">Me[erti]<name key="PSN0113185" style="hidden">Meerti (eigtl. Meert), Elisa Jeanne Isabelle (1817-1878)</name></persName> made her debut at your <placeName xml:id="placeName_a8fa3389-8777-4139-aa2c-1b0e57ab2a29">Philharmonic<name key="NST0100287" style="hidden" subtype="" type="institution">Philharmonic Society</name><settlement key="STM0100126" style="hidden" type="">London</settlement><country style="hidden">Großbritannien</country></placeName> last spring, & whose charm[…] voice has pleased me so much that the Directors try to keep her here […] whole winter, to which she however does not seem inclined, as […] go back after her engagement is over.</p> <p>Who is Major Sir <persName xml:id="persName_70702582-9771-4c1f-b740-87b5b217975d">Warwick Hele Toursin<name key="PSN0115353" style="hidden">Tonkin, Sir Warwick Hele (1763-1839)</name></persName>, who called (a[…] he was a friend of your family?</p> <p>As for my new compositions I have written something […] summer, but since September the <placeName xml:id="placeName_1d9133b5-2c5c-41d7-8f3e-84d9af35c709">festival at Brunswick<name key="NST0100564" style="hidden" subtype="" type="institution">Musikfest (1839)</name><settlement key="STM0100373" style="hidden" type="">Braunschweig</settlement><country style="hidden">Deutschland</country></placeName>, <placeName xml:id="placeName_d62af9e9-d67b-4a77-8fe8-0e7062845116">the Co[ncerts]<name key="NST0100117" style="hidden" subtype="" type="institution">Gewandhaus</name><settlement key="STM0100116" style="hidden" type="">Leipzig</settlement><country style="hidden">Deutschland</country></placeName> have taken up always all my leisure time. A new <title xml:id="title_9658df90-d93e-4ba1-8eb7-665d7d86ecd0">trio<list style="hidden" type="fmb_works_directory" xml:id="title_bmcubfta-v1yb-mpyb-qmmf-kk1bqmfzsyxx"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="chamber_music" style="hidden"></item> <item n="4" sortKey="chamber_music_with_piano" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100387" style="hidden">Trio Nr. 1 (Grand Trio) d-Moll für Violine, Violoncello und Klavier, [Februar 1839] bis 18. Juli 1839; 23. September 1839<idno type="MWV">Q 29</idno><idno type="op">49</idno></name></title>, whic[h] […] often, is I think my best <title xml:id="title_815091fb-4d23-420b-bef9-b5b681c98a67">piece in the Pianoforte way […] a new book of songs for one<list style="hidden" type="fmb_works_directory" xml:id="title_daw3rdni-cfnr-s5yy-vie6-6bqlagonudpi"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="collective_sources" style="hidden"></item> <item n="3" sortKey="collective_prints" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100636" style="hidden">Sechs Lieder für eine Singstimme und Klavier, 1839; enthält MWV K 97, K 100, K 101, K 102, K 73 und K 77<idno type="MWV">SD 20</idno><idno type="op">47</idno></name></title>, and <title xml:id="title_f3726d30-a3da-4c8b-8a39-a6f3c1f54963">another for four voices<list style="hidden" type="fmb_works_directory" xml:id="title_tuggjyl4-rlja-etva-qw9d-u7s1ttfv9uje"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="collective_sources" style="hidden"></item> <item n="3" sortKey="collective_prints" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100637" style="hidden">Sechs vierstimmige Lieder für Sopran, Alt, Tenor und Bass im Freien zu singen, 2. Heft, 1840; enthält MWV F 14, F 16, F 18, F 13, F 15 und F 17<idno type="MWV">SD 21</idno><idno type="op">48</idno></name></title>, […] for <title xml:id="title_feea6b82-8cc7-4178-acae-781d6f7965ad">Pianoforte & for Organ<list style="hidden" type="fmb_works_directory" xml:id="title_1o813ary-vta6-8gxb-0hcl-diak1rjmjkq8"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="piano_music" style="hidden"></item> <item n="4" sortKey="works_for_piano_two_hands" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100482" style="hidden">Lied ohne Worte As-Dur, [Februar 1839]<idno type="MWV">U 143</idno><idno type="op">53/1</idno></name><list style="hidden" type="fmb_works_directory" xml:id="title_0ixted2r-re4v-rj4i-urcx-dsn9dbxhtudr"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="piano_music" style="hidden"></item> <item n="4" sortKey="works_for_piano_two_hands" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100483" style="hidden">Lied ohne Worte (Gondellied) g-Moll, [14. März 1839]<idno type="MWV">U 144</idno><idno type="op">53/3</idno></name><list style="hidden" type="fmb_works_directory" xml:id="title_xbyselpe-kday-f7xa-khii-u8ikxseal7el"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="piano_music" style="hidden"></item> <item n="4" sortKey="works_for_piano_two_hands" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100484" style="hidden">Lied ohne Worte fis-Moll, 5. April 1839<idno type="MWV">U 145</idno><idno type="op">67/2</idno></name><list style="hidden" type="fmb_works_directory" xml:id="title_gppulnci-ohxm-lcor-he0j-1ejcavikdlp3"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="organ_music" style="hidden"></item> <item n="4" sortKey="organ_works_for_one_player" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100525" style="hidden">Fuge e-Moll, 13. Juli 1839<idno type="MWV">W 24</idno><idno type="op"></idno></name><list style="hidden" type="fmb_works_directory" xml:id="title_dkibe6wn-w71h-6shf-4p4j-qyde12s0q0dk"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="organ_music" style="hidden"></item> <item n="4" sortKey="organ_works_for_one_player" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100526" style="hidden">Fuge C-Dur, 14. Juli 1839<idno type="MWV">W 25</idno><idno type="op"></idno></name><list style="hidden" type="fmb_works_directory" xml:id="title_n9owncuz-djva-op4f-p8yb-qogwcs4xklo1"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="organ_music" style="hidden"></item> <item n="4" sortKey="organ_works_for_one_player" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100527" style="hidden">Fuge / Andante sostenuto f-Moll, 18. Juli 1839<idno type="MWV">W 26</idno><idno type="op"></idno></name></title>, and <title xml:id="title_4fe6edbe-2548-4c45-9421-c314499a7dc0">several very large Choru[ses] for an Oratorio<list style="hidden" type="fmb_works_directory" xml:id="title_vkzl8zid-bhta-ny6c-pxqw-f6smilcrvkf2"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100118" style="hidden">Lobgesang / Hymn of Praise, Eine Sinfonie-Kantate nach Worten der Heiligen Schrift für Solostimmen, gemischten Chor, Orchester und Orgel, [erste Jahreshälfte 1840]; 27. November 1840<idno type="MWV">A 18</idno><idno type="op">52</idno></name><list style="hidden" type="fmb_works_directory" xml:id="title_dtqa3mgr-zwmo-ynae-xbaw-qfvdyicziuye"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100126" style="hidden">Erde, Hölle und Himmel (»Christus«), Oratorium für Solostimmen, gemischten Chor, Orchester, Fragment, [hauptsächlich 1847]<idno type="MWV">A 26</idno><idno type="op">97</idno></name></title> which I have half in my head, but […] there for the next years.</p> <p>I sent you yesterday through the Mr. <persName xml:id="persName_8a58b71c-39f9-4e65-9118-f25a70446b81">Hermann Smith<name key="PSN0114947" style="hidden">Smith, Hermann</name></persName>[…] gave me, the <title xml:id="title_541eb42e-2c7b-48ea-937a-b45e5756029c">Violin part of my Sonata op. 45<list style="hidden" type="fmb_works_directory" xml:id="title_oj2n7wtk-8mnk-h362-7n4k-fz9jcslitq5i"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="chamber_music" style="hidden"></item> <item n="4" sortKey="chamber_music_with_piano" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100385" style="hidden">Sonate B-Dur für Violoncello und Klavier, 13. Oktober 1838<idno type="MWV">Q 27</idno><idno type="op">45</idno></name></title>, which g[…] inclosed a little parcel for Mr. <persName xml:id="persName_85506804-411f-43a3-b384-0f700446611f">Klingemann<name key="PSN0112434" style="hidden">Klingemann, Ernst Georg Carl Christoph Konrad (1798-1862)</name></persName>, which I beg […] his house And now enough of every thing. Answer me […]</p> <p> <seg type="closer" xml:id="seg_eff71f25-0314-48f7-bbc4-90f65f046f18">very truly</seg> </p> <signed rend="right">yours</signed> <signed rend="right">Felix Mendelssohn Barth[oldy]</signed> </div> </body> </text></TEI>