]> Brief: fmb-1838-12-10-02

fmb-1838-12-10-02

Hilfe zum Zitier-Tool

Um wichtige Textpassagen (Zitate) zu speichern und auf diese via Hyperlink zu verweisen, markieren Sie bitte den gewünschten Textbereich.

Daraufhin erscheint ein Fenster, in welchem Sie die ausgewählte Textpassage inkl. des Hyperlinks zur weiteren Verwendung in die Zwischenablage kopieren können.


Felix Mendelssohn Bartholdy an William Chappell in London <lb></lb>Leipzig, 10. Dezember 1838 Being quite recovered from my illness I have now perused Mr. Planchés libretto with the attention it deserves; but the subject is of so great an importance to me that I must address you a Felix Mendelssohn Bartholdy Correspondence Online (FMB-C) noch nicht ermittelt noch nicht ermittelt Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) Transkription: FMB-C Edition: FMB-C Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin
Am Kupfergraben 5 10117 Berlin Deutschland
http://www.mendelssohn-online.com Creative Commons Attribution 4.0 International (CC BY 4.0) Bd. 6, 2159

Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)

USA Washington, DC US-Wc Washington, DC, The Library of Congress, Music Division Whittall Collection Box 2, folder 36. Autograph Felix Mendelssohn Bartholdy an William Chappell in London; Leipzig, 10. Dezember 1838 Being quite recovered from my illness I have now perused Mr. Planchés libretto with the attention it deserves; but the subject is of so great an importance to me that I must address you a

2 beschr. S.; Adresse, Notiz von fremder Hand auf der Adressenseite: »10th Decemr 1838.«

Felix Mendelssohn Bartholdy

-

Planché, Recollections and Reflections, Bd. 1, S. 288 f.

Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.

Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.

10. Dezember 1838 Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)counter-resetMendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) Leipzig Deutschland Chappell, William (1809-1888) London Großbritannien englisch
To Mr. W. Chappell music publisher London Bond Street.
Notiz von fremder Hand auf der Adressenseite: »10th Decemr 1838.«
Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)Leipzig 10 Dec. 1838Dear Sir

Being quite recovered from my illness I have now perused Mr. PlanchésPlanché, James Robinson (1796-1880) libretto with the attention it deserves; but the subject is of so great an importance to me that I must address you a few questions which I hope you will answer quite sincerely & openly, as they are of consequence for the success of the Opera<list style="hidden" type="fmb_works_directory" xml:id="title_lsl2s7vy-go1o-ezmn-vs1n-8gaid3xvfeen"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="works_not_executed" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100703" style="hidden">The Brothers (auch: Edward III and the Siege of Calais / Eduard III. und die Belagerung von Calais)<idno type="MWV"></idno><idno type="op"></idno></name>, in which you are interessted as I am. I should not like to begin my task before I am quite at my case on the subjects of these questions. You sent me a copy of the M. S., so I suppose you are fully acquainted with it & may tell me whether an Opera<list style="hidden" type="fmb_works_directory" xml:id="title_etaglzcf-ug2k-x57k-w9ke-uouokhe03kqf"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="works_not_executed" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100703" style="hidden">The Brothers (auch: Edward III and the Siege of Calais / Eduard III. und die Belagerung von Calais)<idno type="MWV"></idno><idno type="op"></idno></name> so thoroughly serious, without any comical or even lighter character in it would do for an English audience? And then I hear by an intimate friendBennett, (seit 1871) Sir William Sterndale (1816-1875) of mine to whom I communicated the poem, that there already exists a <title xml:id="title_2d94bb93-abca-4f37-90da-13231a5c6595">theatrical piece<name key="PSN0109541" style="hidden" type="author">Arnold, Samuel (1740-1802)</name><name key="CRT0113077" style="hidden" type="music">The Surrender of Calais op. 33</name>Colman, George d. J. (1762-1836)The Surrender of Calais on the same subject as this opera, & universally known in that form in England. If that is the case great part of the interest would be lost, & I do not know if I should be right in writing the music where the chance would be against its success. Of course I cannot put these questions to Mr. PlanchéPlanché, James Robinson (1796-1880) himself, (whose beautiful verses & thorough skill I admired in this as in his other works) but I want to have an impartial opinion, & think it your own interest to it give me; to others I would not write because things as these ought to be kept secret. I beg you will not mention anything of this letter to Mr. PlanchéPlanché, James Robinson (1796-1880) & answer it as soon as you possibly can.

I am very truly yoursFelix Mendelssohn Bartholdy.
            Leipzig 10 Dec. 1838Dear Sir
Being quite recovered from my illness I have now perused Mr. Planchés libretto with the attention it deserves; but the subject is of so great an importance to me that I must address you a few questions which I hope you will answer quite sincerely & openly, as they are of consequence for the success of the Opera, in which you are interessted as I am. I should not like to begin my task before I am quite at my case on the subjects of these questions. You sent me a copy of the M. S., so I suppose you are fully acquainted with it & may tell me whether an Opera so thoroughly serious, without any comical or even lighter character in it would do for an English audience? And then I hear by an intimate friend of mine to whom I communicated the poem, that there already exists a theatrical piece on the same subject as this opera, & universally known in that form in England. If that is the case great part of the interest would be lost, & I do not know if I should be right in writing the music where the chance would be against its success. Of course I cannot put these questions to Mr. Planché himself, (whose beautiful verses & thorough skill I admired in this as in his other works) but I want to have an impartial opinion, & think it your own interest to it give me; to others I would not write because things as these ought to be kept secret. I beg you will not mention anything of this letter to Mr. Planché & answer it as soon as you possibly can.
I am very truly yours
Felix Mendelssohn Bartholdy.          
            <TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.tei-c.org/ns/1.0 ../../../fmbc_framework/xsd/fmb-c.xsd" xml:id="fmb-1838-12-10-02" xml:space="default"> <teiHeader xml:lang="de"> <fileDesc> <titleStmt> <title key="fmb-1838-12-10-02" xml:id="title_b654f0b4-f27c-4e4a-8ee1-e821cbe60e68">Felix Mendelssohn Bartholdy an William Chappell in London <lb></lb>Leipzig, 10. Dezember 1838</title> <title level="s" type="incipit" xml:id="title_8d88d563-ad39-4a1f-b4c1-ebc2eda82ded">Being quite recovered from my illness I have now perused Mr. Planchés libretto with the attention it deserves; but the subject is of so great an importance to me that I must address you a</title> <title level="s" type="sub" xml:id="title_39695a7c-3ffd-45ab-88c7-9e6c83bc617d">Felix Mendelssohn Bartholdy Correspondence Online (FMB-C)</title> <title key="not_yet_determined" type="precursor">noch nicht ermittelt</title> <title key="not_yet_determined" type="successor">noch nicht ermittelt</title> <author key="PSN0000001">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</author><respStmt><resp resp="writer"></resp><persName key="PSN0000001" resp="writer">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName></respStmt><respStmt resp="transcription"> <resp resp="transcription">Transkription: </resp> <name resp="transcription">FMB-C</name> </respStmt> <respStmt resp="edition"> <resp resp="edition">Edition: </resp> <name resp="edition">FMB-C</name> </respStmt> </titleStmt> <publicationStmt> <publisher>Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin</publisher> <address> <street>Am Kupfergraben 5</street> <placeName> <settlement>10117 Berlin</settlement> <country>Deutschland</country> </placeName> </address> <idno type="URI">http://www.mendelssohn-online.com</idno> <availability> <licence target="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International (CC BY 4.0)</licence> </availability> <idno type="MSB">Bd. 6, 2159</idno></publicationStmt> <seriesStmt> <p>Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)</p> </seriesStmt> <sourceDesc source="edition_template_manuscript" xml:id="sourceDesc_61a3ad79-6b2a-4b1d-be07-87239e39361b"> <msDesc> <msIdentifier> <country>USA</country> <settlement>Washington, DC</settlement> <institution key="RISM">US-Wc</institution> <repository>Washington, DC, The Library of Congress, Music Division</repository> <collection>Whittall Collection</collection> <idno type="signatur">Box 2, folder 36.</idno> </msIdentifier> <msContents> <msItem> <idno type="autograph">Autograph</idno> <title key="fmb-1838-12-10-02" type="letter" xml:id="title_7a4b16c2-d2e1-44c5-b908-9a490cac82c0">Felix Mendelssohn Bartholdy an William Chappell in London; Leipzig, 10. Dezember 1838</title> <incipit>Being quite recovered from my illness I have now perused Mr. Planchés libretto with the attention it deserves; but the subject is of so great an importance to me that I must address you a</incipit> </msItem> </msContents> <physDesc> <p>2 beschr. S.; Adresse, Notiz von fremder Hand auf der Adressenseite: »10th Decemr 1838.«</p> <handDesc hands="1"> <p>Felix Mendelssohn Bartholdy</p> </handDesc> <accMat> <listBibl> <bibl type="none"></bibl> </listBibl> </accMat> </physDesc> <history> <provenance> <p>-</p> </provenance> </history> <additional> <listBibl> <bibl type="printed_letter">Planché, Recollections and Reflections, Bd. 1, S. 288 f.</bibl> </listBibl> </additional> </msDesc> </sourceDesc> </fileDesc> <encodingDesc><projectDesc><p>Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.</p></projectDesc><editorialDecl><p>Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept,  Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation> <date cert="high" when="1838-12-10" xml:id="date_0e2fa1aa-1b25-4718-92b4-9a71c281b0bb">10. Dezember 1838</date></creation> <correspDesc> <correspAction type="sent"> <persName key="PSN0000001" resp="author" xml:id="persName_9ba7baa9-93a7-4425-87ae-7acd5fe2470c">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName><note>counter-reset</note><persName key="PSN0000001" resp="writer">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName> <placeName type="writing_place" xml:id="placeName_bda586ae-d050-4f27-a797-e62da6113189"> <settlement key="STM0100116">Leipzig</settlement> <country>Deutschland</country></placeName></correspAction> <correspAction type="received"> <persName key="PSN0110351" resp="receiver" xml:id="persName_7b05ca82-8868-4bd9-af22-24294bbae1bd">Chappell, William (1809-1888)</persName> <placeName type="receiving_place" xml:id="placeName_d481efb0-a401-4595-aa4d-2f342c74f29a"> <settlement key="STM0100126">London</settlement> <country>Großbritannien</country> </placeName></correspAction> </correspDesc> <langUsage> <language ident="en">englisch</language> </langUsage> </profileDesc> <revisionDesc status="draft">  </revisionDesc> </teiHeader> <text type="letter"> <body> <div type="address" xml:id="div_3d1e36b5-5419-49d1-b088-7a0cd1363fac"> <head> <address> <addrLine>To</addrLine> <addrLine>Mr. W. Chappell</addrLine> <addrLine>music publisher</addrLine> <addrLine>London</addrLine> <addrLine>Bond Street.</addrLine> </address> </head> </div> <div type="annotation" xml:id="div_5a30c236-d5dc-4774-855a-5300cd473d01"> <note type="other-third-party-annotation" xml:id="note_24b6b77f-4a77-4624-8830-726acf2fae43">Notiz von fremder Hand auf der Adressenseite: »10th Decemr 1838.«</note> </div> <div n="1" type="act_of_writing" xml:id="div_f6321ae2-1be2-47c9-bb16-7153c7b2e2f2"><docAuthor key="PSN0000001" resp="author" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><docAuthor key="PSN0000001" resp="writer" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><dateline rend="right">Leipzig <date cert="high" when="1838-12-10" xml:id="date_9a0c17c0-dd0f-49b4-8d67-d8098a111694">10 Dec. 1838</date></dateline><salute rend="left">Dear Sir</salute><p style="paragraph_without_indent">Being quite recovered from my illness I have now perused <persName xml:id="persName_8d86b16c-091f-49f7-9af6-38f4f95e4749">Mr. Planchés<name key="PSN0113896" style="hidden">Planché, James Robinson (1796-1880)</name></persName> libretto with the attention it deserves; but the subject is of so great an importance to me that I must address you a few questions which I hope you will answer quite sincerely &amp; openly, as they are of consequence for the success of the <title xml:id="title_33d163d5-7911-4640-a7ab-29f1ea5ea86b">Opera<list style="hidden" type="fmb_works_directory" xml:id="title_lsl2s7vy-go1o-ezmn-vs1n-8gaid3xvfeen"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="works_not_executed" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100703" style="hidden">The Brothers (auch: Edward III and the Siege of Calais / Eduard III. und die Belagerung von Calais)<idno type="MWV"></idno><idno type="op"></idno></name></title>, in which you are interessted as I am. I should not like to begin my task before I am quite at my case on the subjects of these questions. You sent me a copy of the M. S., so I suppose you are fully acquainted with it &amp; may tell me whether an <title xml:id="title_f6b9d00e-b93e-478f-8aea-7c5f135c3620">Opera<list style="hidden" type="fmb_works_directory" xml:id="title_etaglzcf-ug2k-x57k-w9ke-uouokhe03kqf"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="works_not_executed" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100703" style="hidden">The Brothers (auch: Edward III and the Siege of Calais / Eduard III. und die Belagerung von Calais)<idno type="MWV"></idno><idno type="op"></idno></name></title> so <hi rend="underline">thoroughly</hi> serious, without any comical or even <hi rend="underline">lighter</hi> character in it would do for an English audience? And then I hear by <persName xml:id="persName_8148624b-9dad-42b8-9c83-7e3a5a796437">an intimate friend<name key="PSN0109864" style="hidden">Bennett, (seit 1871) Sir William Sterndale (1816-1875)</name></persName> of mine to whom I communicated the poem, that there already exists a <title xml:id="title_59a9c635-c792-4c3a-974d-68dd4c6806e2"><title xml:id="title_2d94bb93-abca-4f37-90da-13231a5c6595">theatrical piece<name key="PSN0109541" style="hidden" type="author">Arnold, Samuel (1740-1802)</name><name key="CRT0113077" style="hidden" type="music">The Surrender of Calais op. 33</name></title><name key="PSN0110444" style="hidden" type="author">Colman, George d. J. (1762-1836)</name><name key="CRT0108458" style="hidden" type="dramatic_work">The Surrender of Calais</name></title> on the same subject as this opera, <hi rend="underline">&amp; universally</hi> known in that form in England. If that is the case great part of the interest would be lost, &amp; I do not know if I should be right in writing the music where the chance would be against its success. Of course I cannot put these questions to <persName xml:id="persName_5beef5bb-dec1-44cd-8aaa-d1d7f3df961f">Mr. Planché<name key="PSN0113896" style="hidden">Planché, James Robinson (1796-1880)</name></persName> himself, (whose beautiful verses &amp; thorough skill I admired in this as in his other works) but I want to have an impartial opinion, &amp; think it your own interest to it give me; to others I would not write because things as these ought to be kept secret. I beg you will not mention anything of this letter to <persName xml:id="persName_5a475ce5-f382-41f7-a293-243a1e88347f">Mr. Planché<name key="PSN0113896" style="hidden">Planché, James Robinson (1796-1880)</name></persName> <seg type="closer" xml:id="seg_42db66f9-9eac-4187-b03f-0507882d409a">&amp; answer it as soon as you possibly can.</seg></p><signed rend="right">I am very truly yours</signed><signed rend="right">Felix Mendelssohn Bartholdy.</signed></div></body> </text></TEI>