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Felix Mendelssohn Bartholdy an James Robinson Planché in London <lb></lb>Leipzig, 18. April 1838 Accept my thanks for your letter of the 15th which I received three days ago & the Contents of which I repeatedly thought of since the receipt. I am not versed enough in poetry fully Felix Mendelssohn Bartholdy Correspondence Online (FMB-C) noch nicht ermittelt noch nicht ermittelt Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) Transkription: FMB-C Edition: FMB-C Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin
Am Kupfergraben 5 10117 Berlin Deutschland
http://www.mendelssohn-online.com Creative Commons Attribution 4.0 International (CC BY 4.0) Bd. 6, 1996

Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)

USA Washington, DC US-Wc Washington, DC, The Library of Congress, Music Division General Collection ML95.M36. no. 23 Case. Autograph Felix Mendelssohn Bartholdy an James Robinson Planché in London; Leipzig, 18. April 1838 Accept my thanks for your letter of the 15th which I received three days ago & the Contents of which I repeatedly thought of since the receipt. I am not versed enough in poetry fully

4 beschr. S.; Adresse, mehrere Poststempel.

Felix Mendelssohn Bartholdy

-

Planché, Recollections and Reflections, Bd. 1, S. 284-286.

Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.

Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.

18. April 1838 Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)counter-resetMendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) Leipzig Deutschland Planché, James Robinson (1796-1880) London Großbritannien englisch
J. R. Planché Esqure 20 Brompton Crescent near London
Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)Leipzig 18th April 1838My dear Sir

Accept my thanks for your letter of the 15th which I received three days ago & the Contents of which I repeatedly thought of since the receipt. I am not versed enough in poetry fully to understand the development of those ideas of which your letter gives me the sketch; particularly the first act is still indistinct for me, as I do not understand how the lover in disguise, and in the Queens train will be able to give a sufficient interest to the whole of an act, & whether his escape and arrival in the town are events so important in themselves as to keep the interest alive during it; but of this of course you are the better judge & I am only not able to imagine by myself those things which are familiar to you. The subject which is to form the basis seems to be a beautiful one, & the devotion of those Patriots together with the Contrasts you pointed out will certainly afford many fine situations for music; particularly in the second act I am able to trace them already by myself. Also in the third; in which however I do not quite understand the motive why one of the lovers resolves to take his rivals place (or are they to be friends from the beginning?) and the means by which he makes him forget his duty. From all this you may conceive how anxiously I expect to hear from you, & to know more of the scenes which you intend to distribute in the Opera & most of the whole idea of it. I hope you will be kind enough to let me soon have a plan of the scenes of the whole, when I shall be able to form a distinct idea of the Opera, which I am not skilful enough to do at present by those hints you pointed out. Let me also thank you for the interest you take in procuring my a subject so quite in accordance to my wishes, & for the kindness you show me thereby; I should be sure to prove you by my music how grateful I feel & how great an importance I attach to this proof of your kindness, if in arts the will could be taken for the deed; but as unfortunately this cannot be it is only left for me to wish I could write a music worthy of your poetry, & expressive of those motives which you will so abundantly afford me. I hope to hear soon from you, & beg you will direct your letter to Berlin (Leipziger Strasse no. 3) for which place I intend to start to-morrow, & where I shall stay during the next month.

Believe me always to beyours very trulyFelix Mendelssohn Bartholdy.
            Leipzig 18th April 1838My dear Sir
Accept my thanks for your letter of the 15th which I received three days ago & the Contents of which I repeatedly thought of since the receipt. I am not versed enough in poetry fully to understand the development of those ideas of which your letter gives me the sketch; particularly the first act is still indistinct for me, as I do not understand how the lover in disguise, and in the Queens train will be able to give a sufficient interest to the whole of an act, & whether his escape and arrival in the town are events so important in themselves as to keep the interest alive during it; but of this of course you are the better judge & I am only not able to imagine by myself those things which are familiar to you. The subject which is to form the basis seems to be a beautiful one, & the devotion of those Patriots together with the Contrasts you pointed out will certainly afford many fine situations for music; particularly in the second act I am able to trace them already by myself. Also in the third; in which however I do not quite understand the motive why one of the lovers resolves to take his rivals place (or are they to be friends from the beginning?) and the means by which he makes him forget his duty. From all this you may conceive how anxiously I expect to hear from you, & to know more of the scenes which you intend to distribute in the Opera & most of the whole idea of it. I hope you will be kind enough to let me soon have a plan of the scenes of the whole, when I shall be able to form a distinct idea of the Opera, which I am not skilful enough to do at present by those hints you pointed out. Let me also thank you for the interest you take in procuring my a subject so quite in accordance to my wishes, & for the kindness you show me thereby; I should be sure to prove you by my music how grateful I feel & how great an importance I attach to this proof of your kindness, if in arts the will could be taken for the deed; but as unfortunately this cannot be it is only left for me to wish I could write a music worthy of your poetry, & expressive of those motives which you will so abundantly afford me. I hope to hear soon from you, & beg you will direct your letter to Berlin (Leipziger Strasse no. 3) for which place I intend to start to-morrow, & where I shall stay during the next month.
Believe me always to beyours very truly
Felix Mendelssohn Bartholdy.          
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R. Planché</addrLine> <addrLine>Esqure</addrLine> <addrLine>20 Brompton Crescent</addrLine> <addrLine>near</addrLine> <addrLine><hi n="1" rend="underline">London</hi></addrLine> </address> </head> </div> <div n="1" type="act_of_writing" xml:id="div_a5ef3979-575e-4fd2-8b6e-836a56aff571"><docAuthor key="PSN0000001" resp="author" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><docAuthor key="PSN0000001" resp="writer" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><dateline rend="right">Leipzig <date cert="high" when="1838-04-18" xml:id="date_cba8f920-52df-4411-9942-0cf0b4d92af1">18<hi rend="superscript">th</hi> April 1838</date></dateline><salute rend="left">My dear Sir</salute><p style="paragraph_without_indent">Accept my thanks for your letter of the 15<hi rend="superscript">th</hi> which I received three days ago &amp; the Contents of which I repeatedly thought of since the receipt. I am not versed enough in poetry fully to understand the development of those ideas of which your letter gives me the sketch; particularly the first act is still indistinct for me, as I do not understand how the lover in disguise, and in the Queens train will be able to give a sufficient interest to the whole of an act, &amp; whether his escape and arrival in the town are events so important in themselves as to keep the interest alive during it; but of this of course you are the better judge &amp; I am only not able to imagine by myself those things which are familiar to you. The subject which is to form the basis seems to be a beautiful one, &amp; the devotion of those Patriots together with the Contrasts you pointed out will certainly afford many fine situations for music; particularly in the second act I am able to trace them already by myself. Also in the third; in which however I do not quite understand the motive why one of the lovers resolves to take his rivals place (or are they to be friends from the beginning?) and the means by which he makes him forget his duty. From all this you may conceive how anxiously I expect to hear from you, &amp; to know more of the scenes which you intend to distribute in the Opera &amp; most of the whole idea of it. I hope you will be kind enough to let me soon have a plan of the scenes of the whole, when I shall be able to form a distinct idea of the Opera, which I am not skilful enough to do at present by those hints you pointed out. Let me also thank you for the interest you take in procuring my a subject so quite in accordance to my wishes, &amp; for the kindness you show me thereby; I should be sure to prove you by my music how grateful I feel &amp; how great an importance I attach to this proof of your kindness, if in arts the will could be taken for the deed; but as unfortunately this cannot be it is only left for me to wish I could write a music worthy of your poetry, &amp; expressive of those motives which you will so abundantly afford me. I hope to hear soon from you, &amp; beg you will direct your letter to Berlin (Leipziger Strasse no. 3) for which place I intend to start to-morrow, &amp; where I shall stay during the next month.</p><closer rend="left" xml:id="closer_c2c561ba-307f-452a-accd-517ea8674944">Believe me always to be</closer><signed rend="right">yours very truly</signed><signed rend="right">Felix Mendelssohn Bartholdy.</signed></div></body> </text></TEI>