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fmb-1837-11-11-04

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Felix Mendelssohn Bartholdy an Alfred Novello in London <lb></lb>Leipzig, 11. November 1837 I write to you by post to-day in order to tell you of the brilliant reception with which your sister has met here, & I shall therefore talk only of business in this letter. You receive Felix Mendelssohn Bartholdy Correspondence Online (FMB-C) noch nicht ermittelt noch nicht ermittelt Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) Transkription: FMB-C Edition: FMB-C Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin
Am Kupfergraben 5 10117 Berlin Deutschland
http://www.mendelssohn-online.com Creative Commons Attribution 4.0 International (CC BY 4.0) Bd. 5, 1763

Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)

Deutschland Leipzig D-LEsm Leipzig, Stadtgeschichtliches Museum Musik- und Theatergeschichte MT/2011/491, fol. 1 und fol. 2v. Autograph Felix Mendelssohn Bartholdy an Alfred Novello in London; Leipzig, 11. November 1837 I write to you by post to-day in order to tell you of the brilliant reception with which your sister has met here, & I shall therefore talk only of business in this letter. You receive

3 beschr. S.; Adresse. – Das Datum des Briefs wird häufig falsch mit dem 17. November 1837 angegeben. Am 11. November schickte Felix Mendelssohn Bartholdy das in Z. 5 erwähnte Paket an den Verlag Breitkopf & Härtel und bat, dieses an Alfred Novello in London weiterzusenden (Brief fmb-1837-11-11-02 bzw. Nr. 1761). Mendelssohn legte dem Paket den vorliegenden Brief bei (vgl. Brief fmb-1837-12-19-04 bzw. Nr. 1821, Z. 13). Das Paket erreichte London erst im Januar 1838, was Novello am 30. Januar 1838 mitteilte: »You would hear from my mother of the arrival of the long delayed concerto« (GB-Ob, M.D.M. d. 33/31). Mehrfach Textverluste durch Beschädigung des Briefs an den Seitenrändern, Textergänzung.

Felix Mendelssohn Bartholdy

Sammlung Dr. Rudolf Elvers, Berlin (bis Anfang 2011).

Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.

Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept, Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.

11. November 1837 Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)counter-resetMendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847) Leipzig Deutschland Novello, Joseph Alfred (1810-1896) London Großbritannien englisch
J. Alfred Novello Esqu.
Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)Dear Sir

I write to you by post to-day in order to tell you of the brilliant reception with which your sisterNovello, Clara Anastasia (1818-1908) has met here, & I shall therefore talk only of business in this letter.

You receive with a parcel, sent by Breitkopf & HärtelBreitkopf & Härtel (bis 1786: Breitkopf), Verlag und Musikalienhandlung in Leipzig, the Pianoforte part of my new Concerto<list style="hidden" type="fmb_works_directory" xml:id="title_jar3j77k-4g2v-flmh-chwh-zq5kcgfe6ksh"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="concerts_and_concertante_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100353" style="hidden">Konzert Nr. 2 d-Moll für Klavier und Orchester bzw. Streichorchester, [Mai 1837] bis 5. August 1837<idno type="MWV">O 11</idno><idno type="op">40</idno></name>, the string-instruments to it [in] which I have marked with small notes the most oblig[ed] […] of the wind-instruments, so that by playing these […] notes the Concerto<list style="hidden" type="fmb_works_directory" xml:id="title_orfga3uj-i4pq-vmbb-msjr-zmzrp4jooz8q"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="concerts_and_concertante_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100353" style="hidden">Konzert Nr. 2 d-Moll für Klavier und Orchester bzw. Streichorchester, [Mai 1837] bis 5. August 1837<idno type="MWV">O 11</idno><idno type="op">40</idno></name> might be performed as a Quintett, [and] finally a list of alterations which I made, when I wrote down the Pianoforte part, and which I beg you will most carefully have made in all those parts I left you – the string instruments from which it was played at Birmingha[m] are hardly to be used now, those I send being the correct ones – but the wind instruments will do, if [e]very […] corrected according to this list of Alterations, & ever[y] […] wish there could be a previous rehearsal with t[he] […] before you have them printed, or before it is played […] I hope you will see to all this, as it is very essential […] wish also you could send me the proofs before you pr[int] […] May, if not of the whole yet at least of t[…] […]; you wanted to have my Manuscri[pt] […] but as it is in some passages very […] scratched out I must trouble you with sending over the proofs to me, in order to have a correct edition<list style="hidden" type="fmb_works_directory" xml:id="title_adgkz98k-dhg0-mpzf-jugv-xepigqooexar"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="concerts_and_concertante_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100353" style="hidden">Konzert Nr. 2 d-Moll für Klavier und Orchester bzw. Streichorchester, [Mai 1837] bis 5. August 1837<idno type="MWV">O 11</idno><idno type="op">40</idno></name>. The German publishers whose name I beg to mark on the English titlepage are Breitkopf & HärtelsBreitkopf & Härtel (bis 1786: Breitkopf), Verlag und Musikalienhandlung in Leipzig here.

I wish you would publish my Psalm<list style="hidden" type="fmb_works_directory" xml:id="title_0ohtbygm-mkzb-nlzn-hy5m-ozp043xfrnta"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100115" style="hidden">Der 42. Psalm »Wie der Hirsch schreit« für Solostimmen, gemischten Chor, Orchester und Orgel, April bis Juli 1837; 22. Dezember 1837<idno type="MWV">A 15</idno><idno type="op">42</idno></name> (the one of which I [showe]d three movts to you, when last in England) in the course [of] [t]his winter with English words, which my friend Mr. KlingemannKlingemann, Ernst Georg Carl Christoph Konrad (1798-1862) [(a]nd I triet) put to it. Pray write me whether you like it & what you could give me for it<list style="hidden" type="fmb_works_directory" xml:id="title_c3v8zs29-najh-zcni-jhvk-u621z4emkmrf"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100115" style="hidden">Der 42. Psalm »Wie der Hirsch schreit« für Solostimmen, gemischten Chor, Orchester und Orgel, April bis Juli 1837; 22. Dezember 1837<idno type="MWV">A 15</idno><idno type="op">42</idno></name>. I have a great many new things in my head, but am so hurried with conducting & every thing but what I like, that I have hardly had time to write a note. If I have something new (& good) I shall let you know of it, in case you should like to go on with my music. – All the […] can find in my post-letter. My best comts […] the friends. I am alway very truly yours

Felix Mendelssohn Bartholdy[Leipzig] 11. Nov. 1837.
            Dear Sir
I write to you by post to-day in order to tell you of the brilliant reception with which your sister has met here, & I shall therefore talk only of business in this letter.
You receive with a parcel, sent by Breitkopf & Härtel, the Pianoforte part of my new Concerto, the string-instruments to it in which I have marked with small notes the most obliged … of the wind-instruments, so that by playing these … notes the Concerto might be performed as a Quintett, and finally a list of alterations which I made, when I wrote down the Pianoforte part, and which I beg you will most carefully have made in all those parts I left you – the string instruments from which it was played at Birmingham are hardly to be used now, those I send being the correct ones – but the wind instruments will do, if every … corrected according to this list of Alterations, & every … wish there could be a previous rehearsal with the … before you have them printed, or before it is played … I hope you will see to all this, as it is very essential … wish also you could send me the proofs before you print … May, if not of the whole yet at least of t… …; you wanted to have my Manuscript … but as it is in some passages very … scratched out I must trouble you with sending over the proofs to me, in order to have a correct edition . The German publishers whose name I beg to mark on the English titlepage are Breitkopf & Härtels here.
I wish you would publish my Psalm (the one of which I showed three movts to you, when last in England) in the course of this winter with English words, which my friend Mr. Klingemann (and I triet) put to it. Pray write me whether you like it & what you could give me for it . I have a great many new things in my head, but am so hurried with conducting & every thing but what I like, that I have hardly had time to write a note. If I have something new (& good) I shall let you know of it, in case you should like to go on with my music. – All the … can find in my post-letter. My best comts … the friends. I am alway very truly yours
Felix Mendelssohn Bartholdy
Leipzig 11. Nov. 1837.          
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Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept,  Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation> <date cert="high" when="1837-11-11" xml:id="date_58d874fe-1ea1-4cde-b595-b44b8d38e514">11. 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Alfred Novello</addrLine> <addrLine>Esqu.</addrLine> </address> </head> </div> <div n="1" type="act_of_writing" xml:id="div_b7efa486-8b98-479b-9f69-a7848f76ad3a"><docAuthor key="PSN0000001" resp="author" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><docAuthor key="PSN0000001" resp="writer" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><salute rend="left">Dear Sir</salute><p style="paragraph_without_indent">I write to you by post to-day in order to tell you of the brilliant reception with which <persName xml:id="persName_b5a2f4ac-8350-4d16-9fb0-e8b54ad55eaa">your sister<name key="PSN0113621" style="hidden">Novello, Clara Anastasia (1818-1908)</name></persName> has met here, &amp; I shall therefore talk only of business in this letter.</p><p>You receive with a parcel, sent by <persName xml:id="persName_b5874f34-556b-469b-83c4-8e77cc5abee4">Breitkopf &amp; Härtel<name key="PSN0110112" style="hidden">Breitkopf &amp; Härtel (bis 1786: Breitkopf), Verlag und Musikalienhandlung in Leipzig</name></persName>, the Pianoforte part of <title xml:id="title_6b30d0d6-71c0-468c-857b-6d32f4bc23f3">my new Concerto<list style="hidden" type="fmb_works_directory" xml:id="title_jar3j77k-4g2v-flmh-chwh-zq5kcgfe6ksh"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="concerts_and_concertante_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100353" style="hidden">Konzert Nr. 2 d-Moll für Klavier und Orchester bzw. Streichorchester, [Mai 1837] bis 5. August 1837<idno type="MWV">O 11</idno><idno type="op">40</idno></name></title>, the string-instruments to it [in] which I have marked with small notes the most oblig[ed] […] of the wind-instruments, so that by playing these […] notes the <title xml:id="title_0bbf1ddf-1dc6-4c54-acc7-0c563eeb5bc5">Concerto<list style="hidden" type="fmb_works_directory" xml:id="title_orfga3uj-i4pq-vmbb-msjr-zmzrp4jooz8q"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="concerts_and_concertante_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100353" style="hidden">Konzert Nr. 2 d-Moll für Klavier und Orchester bzw. Streichorchester, [Mai 1837] bis 5. August 1837<idno type="MWV">O 11</idno><idno type="op">40</idno></name></title> might be performed as a Quintett, [and] finally a list of alterations which I made, when I wrote down the Pianoforte part, and which I beg you will most carefully have made in all those parts I left you – the string instruments from which it was played at Birmingha[m] are hardly to be used now, those I send being the correct ones – but the wind instruments will do, if [e]very […] corrected according to this list of Alterations, &amp; ever[y] […] wish there could be a previous rehearsal with t[he] […] before you have them printed, or before it is played […] I hope you will see to all this, as it is very essential […] wish also you could send me the proofs before you pr[int] […] May, if not of the whole yet at least of t[…] […]; you wanted to have my Manuscri[pt] […] but as it is in some passages very […] scratched out I must trouble you with sending over the proofs to me, in order to have a <title xml:id="title_857bde3d-c328-45b8-bc15-305c4b09d12b">correct edition<list style="hidden" type="fmb_works_directory" xml:id="title_adgkz98k-dhg0-mpzf-jugv-xepigqooexar"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="concerts_and_concertante_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100353" style="hidden">Konzert Nr. 2 d-Moll für Klavier und Orchester bzw. Streichorchester, [Mai 1837] bis 5. August 1837<idno type="MWV">O 11</idno><idno type="op">40</idno></name></title>. The German publishers whose name I beg to mark on the English titlepage are <persName xml:id="persName_c6f14759-4688-4f5c-bc1b-078fe7fc3789">Breitkopf &amp; Härtels<name key="PSN0110112" style="hidden">Breitkopf &amp; Härtel (bis 1786: Breitkopf), Verlag und Musikalienhandlung in Leipzig</name></persName> here.</p><p>I wish you would publish <title xml:id="title_a2de4efc-fbeb-492b-94d3-3eee7ea68131">my Psalm<list style="hidden" type="fmb_works_directory" xml:id="title_0ohtbygm-mkzb-nlzn-hy5m-ozp043xfrnta"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100115" style="hidden">Der 42. Psalm »Wie der Hirsch schreit« für Solostimmen, gemischten Chor, Orchester und Orgel, April bis Juli 1837; 22. Dezember 1837<idno type="MWV">A 15</idno><idno type="op">42</idno></name></title> (the one of which I [showe]d three mov<hi rend="superscript">ts</hi> to you, when last in England) in the course [of] [t]his winter with English words, which <persName xml:id="persName_c0042bdc-c32c-4148-b87f-805b97b3b2d6">my friend Mr. Klingemann<name key="PSN0112434" style="hidden">Klingemann, Ernst Georg Carl Christoph Konrad (1798-1862)</name></persName> [(a]nd I triet) put to it. Pray write me whether you like it &amp; what you could give me for <title xml:id="title_55c73db2-480b-404e-b805-3aed574b7578">it<list style="hidden" type="fmb_works_directory" xml:id="title_c3v8zs29-najh-zcni-jhvk-u621z4emkmrf"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="vocal_music" style="hidden"></item> <item n="3" sortKey="sacred_vocal_music" style="hidden"></item> <item n="4" sortKey="large-scale_sacred_vocal_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100115" style="hidden">Der 42. Psalm »Wie der Hirsch schreit« für Solostimmen, gemischten Chor, Orchester und Orgel, April bis Juli 1837; 22. Dezember 1837<idno type="MWV">A 15</idno><idno type="op">42</idno></name></title>. I have a great many new things in my head, but am so hurried with conducting &amp; every thing but what I like, that I have hardly had time to write a note. If I have something new (&amp; good) I shall let you know of it, in case you should like to go on with my music. – All the […] can find in my post-letter. My best com<hi rend="superscript">ts</hi> […] the friends. <seg type="closer" xml:id="seg_51c0811d-fb82-43ed-a516-3cfb14d1681c">I am alway very truly yours</seg></p><signed rend="right">Felix Mendelssohn Bartholdy</signed><dateline rend="left">[Leipzig] <date cert="high" when="1837-11-11" xml:id="date_f5985f64-69b3-4666-91af-e5a290df599f">11. Nov. 1837</date>.</dateline></div></body> </text></TEI>