fmb-1833-01-15-01

            Berlin, Jan. 15th 1833My dear Mr. Attwood
I wish I could express to you how happy your last letter has made me. It was not only the communication of the meeting of the Philharmonic society, but it was your writing it still at midnight after your return from town, it was that kind and hearty tone, which speaks from every word, in short it was the thought of your continued and unmerited kindness towards me, that made me so happy in reading your letter. I knew already the resolution of the Society by a letter from the Secretary, but I did not know then, what I learnt afterwards, that it is also to you that I am indebted for that resolution, of which you made the motion, which you supported by a speech, and which was quite your own idea. You see, I am aware of all you have done for me, yet I shall not try to thank you for it, as I should not be able to do it as I feel it. I hope to see you in some months and to make music with you; to come down to Norwood to compose in the cottage, to enjoy you & your family more quietly than I did last year, and all that pleasure I shall owe entirely to you. For it is improbable that I should have been able to go to England this year, without a musical object in view. This is the most agreeable I could ever have wished for and it has greatly contributed to deliver me from the bad state of health and of mind, in which I passed the greater part of last year. I shall begin the composition of the Symphony in few days, and think to finish it very soon, as I have thought of it long since, but I do not know whether I shall be able to bring over with me the Overture, which I should like to be a good one. I hope it will not matter if I cannot present it to the Society at the beginning of this season, (at least Mr. Watts told me so) and in case they should want to have it still for this year, there is your cottage, and the good air of Norwood and every thing you want for a good Overture. – I delay’d so long answering your letter because I was excessively hurried by having undertaken to give three concerts in the course of the last months. This gives here almost as much trouble and difficultys to overcome, as it does in your country, and though the receit was to be for a kind of musical fund they have instituted here for the widows and orphans of the musicians in the kings chapel, I had always a great deal to do to make them attend the rehearsals & the concert punctually. It is a great pity to see how great the means are, which we possess here, and how little we effect with them; every man in the orchestra is clever, they like good music and do their utmost to perform it well, and yet their leaders are so very bad that the same Orchestra which played my Overtures wonderfully after a single rehearsal, is not able to perform tolerably an opera of Mozart, or a Symphony of Beethoven. And so it is here in every branch of art and sciences: the leaders do nothing, because they are incapable, and the rest cannot do anything, because they are not well lead. –
Pray, pay my compliments to the little player of my MidSummernightsdream, and say that I hope to play it with her, when I come over to England. I shall not have a great deal of new music to show to you, but yet there are some things which I long to hear your opinion of. Pray let me know whether I shall find your composition for the Philharmonic finished this spring, and what kind of piece it is to be? an overture or vocal music, or both? And now I think more and more of the spring I cannot write any longer, I grow impatient, I wish it would be spring already; but it will come and then I hope I shall see you, and so let me finish my letter in a language you understand and say „Auf Wiedersehen. “
Always Yours very truly
Felix Mendelssohn Bartholdy.
P. S. My best wishes and respects to Mrs. and Miss Attwood and to your sons. Are they sometimes all with you?          

            <TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.tei-c.org/ns/1.0 ../../../fmbc_framework/xsd/fmb-c.xsd" xml:id="fmb-1833-01-15-01" xml:space="default"> <teiHeader xml:lang="de"> <fileDesc> <titleStmt> <title key="fmb-1833-01-15-01" xml:id="title_cbad7301-8d5b-49a0-8525-6e455def21e9">Felix Mendelssohn Bartholdy an Thomas Attwood in Biggin Hill, Norwood Surrey <lb></lb>Berlin, 15. Januar 1833</title> <title level="s" type="incipit" xml:id="title_1faa37b1-d4da-4277-9b2b-78098b38bc7f">I wish I could express to you how happy your last letter has made me. It was not only the communication of the meeting of the Philharmonic society, but it was your writing it still</title> <title level="s" type="sub" xml:id="title_bb71f896-9e41-435c-8ed0-decd5a9c768b">Felix Mendelssohn Bartholdy Correspondence Online (FMB-C)</title> <title key="not_yet_determined" type="precursor">noch nicht ermittelt</title> <title key="not_yet_determined" type="successor">noch nicht ermittelt</title> <author key="PSN0000001">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</author><respStmt><resp resp="writer"></resp><persName key="PSN0000001" resp="writer">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName></respStmt><respStmt resp="transcription"> <resp resp="transcription">Transkription: </resp> <name resp="transcription">FMB-C</name> </respStmt> <respStmt resp="edition"> <resp resp="edition">Edition: </resp> <name resp="edition">FMB-C</name> </respStmt> </titleStmt> <publicationStmt> <publisher>Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe (FMB-C). Institut für Musikwissenschaft und Medienwissenschaft. Humboldt-Universität zu Berlin</publisher> <address> <street>Am Kupfergraben 5</street> <placeName> <settlement>10117 Berlin</settlement> <country>Deutschland</country> </placeName> </address> <idno type="URI">http://www.mendelssohn-online.com</idno> <availability> <licence target="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International (CC BY 4.0)</licence> </availability> <idno type="MSB">Bd. 3, 651</idno></publicationStmt> <seriesStmt> <p>Maschinenlesbare Übertragung der vollständigen Korrespondenz Felix Mendelssohn Bartholdys (FMB-C)</p> </seriesStmt> <sourceDesc source="edition_template_manuscript" xml:id="sourceDesc_dc6f31f5-8199-45ae-b8b5-2c9f22c8de77"> <msDesc> <msIdentifier> <country>USA</country> <settlement>Washington, DC</settlement> <institution key="RISM">US-Wc</institution> <repository>Washington, DC, The Library of Congress, Music Division</repository> <collection>Whittall Collection</collection> <idno type="signatur">Box 1, folder 21.</idno> </msIdentifier> <msContents> <msItem> <idno type="autograph">Autograph</idno> <title key="fmb-1833-01-15-01" type="letter" xml:id="title_997ca45c-dda7-4490-a93d-e194b2bf2820">Felix Mendelssohn Bartholdy an Thomas Attwood in Biggin Hill, Norwood Surrey; Berlin, 15. Januar 1833</title> <incipit>I wish I could express to you how happy your last letter has made me. It was not only the communication of the meeting of the Philharmonic society, but it was your writing it still</incipit> </msItem> </msContents> <physDesc> <p>4 beschr. S.; Adresse.</p> <handDesc hands="1"> <p>Felix Mendelssohn Bartholdy</p> </handDesc> <accMat> <listBibl> <bibl type="none"></bibl> </listBibl></accMat> </physDesc> <history> <provenance> <p>-</p> </provenance> </history> <additional> <listBibl> <bibl type="printed_letter">John Michael Cooper, Felix Mendelssohn Bartholdy and the »Italian Symphony«: Historical, musical, and extramusical perspectives, Ann Arbor 1994, S. 26 f. (Teildruck).</bibl> <bibl type="printed_letter">John Michael Cooper, Mendelssohn’s ›Italian‹ Symphony, Oxford 2003, S. 28 f. (Teildruck).</bibl> </listBibl> </additional> </msDesc> </sourceDesc> </fileDesc> <encodingDesc><projectDesc><p>Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C: Digitale Edition der vollständigen Korrespondenz Hin- und Gegenbriefe Felix Mendelssohn Bartholdys auf XML-TEI-Basis.</p></projectDesc><editorialDecl><p>Die Felix Mendelssohn Bartholdy Correspondence Online-Ausgabe FMB-C ediert die Gesamtkorrespondenz des Komponisten Felix Mendelssohn Bartholdy 1809-1847 in Form einer digitalen, wissenschaftlich-kritischen Online-Ausgabe. Sie bietet neben der diplomatischen Wiedergabe der rund 6.000 Briefe Mendelssohns erstmals auch eine Gesamtausgabe der über 7.200 Briefe an den Komponisten sowie einen textkritischen, inhalts- und kontexterschließenden Kommentar aller Briefe. Sie wird ergänzt durch eine Personen- und Werkdatenbank, eine Lebenschronologie Mendelssohns, zahlreicher Register der Briefe, Werke, Orte und Körperschaften sowie weitere Verzeichnisse. Philologisches Konzept,  Philologische FMB-C-Editionsrichtlinien: Uta Wald, Dr. Ulrich Taschow. Digitales Konzept, Digitale FMB-C-Editionsrichtlinien: Dr. Ulrich Taschow. Technische Konzeption der Felix Mendelssohn Bartholdy Correspondence FMB-C Ausgabe und Webdesign: Dr. Ulrich Taschow.</p></editorialDecl></encodingDesc> <profileDesc> <creation> <date cert="high" when="1833-01-15" xml:id="date_26b34c41-1dbe-4c5d-9646-eb005e83ea45">15. Januar 1833</date></creation> <correspDesc> <correspAction type="sent"> <persName key="PSN0000001" resp="author" xml:id="persName_887e8f30-2305-4b7c-8f48-e5893e523592">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName><note>counter-reset</note><persName key="PSN0000001" resp="writer">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</persName> <placeName type="writing_place" xml:id="placeName_6a9fed0d-2eeb-4ff9-b941-1b38a54803d0"> <settlement key="STM0100101">Berlin</settlement> <country>Deutschland</country></placeName></correspAction> <correspAction type="received"> <persName key="PSN0109576" resp="receiver" xml:id="persName_ce11e59a-c168-46bc-bf93-e71493273b41">Attwood, Thomas (1765-1838)</persName> <placeName type="receiving_place" xml:id="placeName_a22f231d-40e6-4142-a5c2-802d651c1a41"> <settlement key="STM0100326">Biggin Hill, Norwood Surrey</settlement> <country>Großbritannien</country> </placeName></correspAction> </correspDesc> <langUsage> <language ident="en">englisch</language> </langUsage> </profileDesc> <revisionDesc status="draft">  </revisionDesc> </teiHeader> <text type="letter"> <body> <div type="address" xml:id="div_a31cbe3b-a139-4e2c-8cdd-3c194d98fc96"> <head> <address> <addrLine>T. Attwood </addrLine> <addrLine>Esqu</addrLine> <addrLine>Norwood</addrLine> <addrLine>Surey</addrLine> <addrLine>Beggin Hill</addrLine> </address> </head> </div> <div n="1" type="act_of_writing" xml:id="div_a7f065a3-3ea7-436d-aab2-1c9a1a4b0882"><docAuthor key="PSN0000001" resp="author" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><docAuthor key="PSN0000001" resp="writer" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><dateline rend="right">Berlin, <date cert="high" when="1833-01-15" xml:id="date_c5302517-f94d-4e17-92a3-482dbce5722b">Jan. 15<hi rend="superscript">th</hi> 1833</date></dateline><salute rend="left">My dear Mr. Attwood</salute><p style="paragraph_without_indent">I wish I could express to you how happy your last letter has made me. It was not only the communication of the meeting of the <placeName xml:id="placeName_55ec8fdc-eb05-49df-a599-1283834d36c8">Philharmonic society<name key="NST0100287" style="hidden" subtype="" type="institution">Philharmonic Society</name><settlement key="STM0100126" style="hidden" type="">London</settlement><country style="hidden">Großbritannien</country></placeName>, but it was your writing it still at midnight after your return from town, it was that kind and hearty tone, which speaks from every word, in short it was the thought of your continued and unmerited kindness towards me, that made me so happy in reading your letter. I knew already the resolution of the <placeName xml:id="placeName_feee249d-9a97-49b1-9342-9324c0b22f2f">Society<name key="NST0100287" style="hidden" subtype="" type="institution">Philharmonic Society</name><settlement key="STM0100126" style="hidden" type="">London</settlement><country style="hidden">Großbritannien</country></placeName> by a letter from the <persName xml:id="persName_62f9bd11-215e-4c2e-bccd-fc9e2da896ad">Secretary<name key="PSN0115636" style="hidden">Watts, William (?-1859)</name></persName>, but I did not know then, what I learnt afterwards, that it is also to you that I am indebted for that resolution, of which you made the motion, which you supported by a speech, and which was quite your own idea. You see, I am aware of all you have done for me, yet I shall not try to thank you for it, as I should not be able to do it as I feel it. I hope to see you in some months and to make music with you; to come down to Norwood to compose in the cottage, to enjoy you &amp; <persName xml:id="persName_bf2fa1b3-0917-49ac-8bc4-d2dc5eed8269">your family<name key="PSN0109571" style="hidden">Attwood, Familie von → Thomas A.</name></persName> more quietly than I did last year, and all that pleasure I shall owe entirely to you. For it is improbable that I should have been able to go to England this year, without a musical object in view. This is the most agreeable I could ever have wished for and it has greatly contributed to deliver me from the bad state of health and of mind, in which I passed the greater part of last year. I shall begin the composition of the <title xml:id="title_abf6cd0d-bd06-4823-9fbb-618086467073">Symphony<list style="hidden" type="fmb_works_directory" xml:id="title_s7emw6je-0yrs-quop-wok1-k7dmjeptfwio"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="symphonies" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100342" style="hidden">Sinfonie A-Dur (»Italienische«) für Orchester, [Ende 1830] bis 13. März 1833; [Juni 1834 bis Anfang 1835]<idno type="MWV">N 16</idno><idno type="op">90</idno></name></title> in few days, and think to finish it very soon, as I have thought of it long since, but I do not know whether I shall be able to bring over with me the <title xml:id="title_acbc2b3a-e8b2-402c-ab18-81af38a16e8c">Overture<list style="hidden" type="fmb_works_directory" xml:id="title_w6indcq9-oqe9-h1kq-iz78-7hbl7hm1m6ke"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100358" style="hidden">Ouvertüre C-Dur (»Trompeten-Ouvertüre«), [Herbst 1825] bis 4. März 1826; Umarbeitung bis 10. April 1833<idno type="MWV">P 2</idno><idno type="op">101</idno></name></title>, which I should like to be a good one. I hope it will not matter if I cannot present it to the <placeName xml:id="placeName_bcdb855d-46df-4531-ade5-7fcad8e88431">Society<name key="NST0100287" style="hidden" subtype="" type="institution">Philharmonic Society</name><settlement key="STM0100126" style="hidden" type="">London</settlement><country style="hidden">Großbritannien</country></placeName> at the beginning of this season, (at least <persName xml:id="persName_b9daaa4f-06e0-4984-856c-64706cac4050">Mr. Watts<name key="PSN0115636" style="hidden">Watts, William (?-1859)</name></persName> told me so) and in case they should want to have it still for this year, there is your cottage, and the good air of Norwood and every thing you want for a good Overture. – I delay’d so long answering your letter because I was excessively hurried by having undertaken to give three concerts in the course of the last months. This gives here almost as much trouble and difficultys to overcome, as it does in your country, and though the receit was to be for a kind <placeName xml:id="placeName_e64cbc06-2a92-43ee-a285-fdf5791c6629">of musical fund<name key="NST0100406" style="hidden" subtype="Orchesterwitwenfonds" type="institution">Königliche Hofkapelle</name><settlement key="STM0100101" style="hidden" type="">Berlin</settlement><country style="hidden">Deutschland</country></placeName> they have instituted here for the widows and orphans of the musicians in the <placeName xml:id="placeName_d8db7862-755b-48ea-8ffd-69b3d777d60c">kings chapel<name key="NST0100406" style="hidden" subtype="" type="institution">Königliche Hofkapelle</name><settlement key="STM0100101" style="hidden" type="">Berlin</settlement><country style="hidden">Deutschland</country></placeName>, I had always a great deal to do to make them attend the rehearsals &amp; the concert punctually. It is a great pity to see how great the means are, which we possess here, and how little we effect with them; every man in the <placeName xml:id="placeName_a48cf510-17fc-4484-9fd6-c09a627fc699">orchestra<name key="NST0100406" style="hidden" subtype="" type="institution">Königliche Hofkapelle</name><settlement key="STM0100101" style="hidden" type="">Berlin</settlement><country style="hidden">Deutschland</country></placeName> is clever, they like good music and do their utmost to perform it well, and yet their leaders are so very bad that the same <placeName xml:id="placeName_ce60095b-6271-43a7-ab9e-940e4cd9986d">Orchestra<name key="NST0100406" style="hidden" subtype="" type="institution">Königliche Hofkapelle</name><settlement key="STM0100101" style="hidden" type="">Berlin</settlement><country style="hidden">Deutschland</country></placeName> which played my <title xml:id="title_f146719e-f88f-4c46-ae28-89bcfcda2336">Overtures<list style="hidden" type="fmb_works_directory" xml:id="title_d8kil6t0-gykp-yxlj-rajf-kmvurezwlico"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100359" style="hidden">Konzert-Ouvertüre Nr. 1 zu Shakespeares Sommernachtstraum E-Dur, [Juli 1826] bis 6. August 1826<idno type="MWV">P 3</idno><idno type="op">21</idno></name><list style="hidden" type="fmb_works_directory" xml:id="title_iogtdqkj-ozan-5ol8-vb7f-6auoc2hdwlab"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100363" style="hidden">Konzert-Ouvertüre Nr. 2 Die Hebriden / The Isles of Fingal (Zur einsamen Insel) h-Moll (»Fingals Höhle«), 7. August 1829 bis 16. Dezember 1830; Umarbeitung bis 20. Juni 1832<idno type="MWV">P 7</idno><idno type="op">26</idno></name><list style="hidden" type="fmb_works_directory" xml:id="title_hcctreni-iyk2-u1cl-3iey-7azwzi3khtjn"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100361" style="hidden">Konzert-Ouvertüre Nr. 3 Meeresstille und glückliche Fahrt D-Dur, [Februar bis September 1828]; Umarbeitung 1833/1834<idno type="MWV">P 5</idno><idno type="op">27</idno></name></title> wonderfully after a single rehearsal, is not able to perform tolerably an <title xml:id="title_c1f3d8bd-60fe-425a-8fa9-04f7014a193b">opera of Mozart<name key="PSN0113466" style="hidden" type="author">Mozart, Wolfgang Amadeus (1756-1791)</name><name key="CRT0110125" style="hidden" type="music">Opern</name></title>, or a <title xml:id="title_415200f1-d0f0-4b3c-bbe5-250abdd07665">Symphony of Beethoven<name key="PSN0109771" style="hidden" type="author">Beethoven, Ludwig van (1770-1827)</name><name key="CRT0108061" style="hidden" type="music">Sinfonien</name></title>. And so it is here in every branch of art and sciences: the leaders do nothing, because they are incapable, and the rest cannot do anything, because they are not well lead. –</p><p>Pray, pay my compliments to the little player of <title xml:id="title_9293efd8-388c-4d37-9b43-87ea325bab35">my MidSummernightsdream<list style="hidden" type="fmb_works_directory" xml:id="title_hh34bt0n-oatw-ungp-1xb4-zfzj1zkuwqh3"> <item n="1" sortKey="musical_works" style="hidden"></item> <item n="2" sortKey="instrumental_music" style="hidden"></item> <item n="3" sortKey="orchestral_music" style="hidden"></item> <item n="4" sortKey="overtures_and_other_orchestral_works" style="hidden"></item></list><name key="PSN0000001" style="hidden" type="author">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</name><name key="PRC0100359" style="hidden">Konzert-Ouvertüre Nr. 1 zu Shakespeares Sommernachtstraum E-Dur, [Juli 1826] bis 6. August 1826<idno type="MWV">P 3</idno><idno type="op">21</idno></name></title>, and say that I hope to play it with her, when I come over to England. I shall not have a great deal of new music to show to you, but yet there are some things which I long to hear your opinion of. Pray let me know whether I shall find your composition for the <placeName xml:id="placeName_f977dfe4-0a26-4e89-b2c9-b4cb3e80aa03">Philharmonic<name key="NST0100287" style="hidden" subtype="" type="institution">Philharmonic Society</name><settlement key="STM0100126" style="hidden" type="">London</settlement><country style="hidden">Großbritannien</country></placeName> finished this spring, and what kind of piece it is to be? an overture or vocal music, or both? And now I think more and more of the spring I cannot write any longer, I grow impatient, <seg type="closer" xml:id="seg_2207335c-afb9-406d-b12d-424504f5d225">I wish it would be spring already; but it will come and then I hope I shall see you, and so let me finish my letter in a language you understand and say „Auf Wiedersehen.“</seg></p><signed rend="right">Always Yours very truly</signed><signed rend="right">Felix Mendelssohn Bartholdy.</signed></div><div n="2" type="act_of_writing" xml:id="div_747960bd-7004-43c2-8af7-68f85f4761df"><docAuthor key="PSN0000001" resp="author" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><docAuthor key="PSN0000001" resp="writer" style="hidden">Mendelssohn Bartholdy (bis 1816: Mendelssohn), Jacob Ludwig Felix (1809-1847)</docAuthor><p style="paragraph_without_indent">P. S. My best wishes and respects to <persName xml:id="persName_9f44e481-8283-4b22-8abc-6494d3c07f0f">Mrs.<name key="PSN0109575" style="hidden">Attwood, Mary Ann (1775-1859)</name></persName> and <persName xml:id="persName_8677e232-344c-4232-88aa-8d02e5ed4e36">Miss Attwood<name key="PSN0109573" style="hidden">Attwood, Caroline Eliza (1796-1889)</name></persName> and to <persName xml:id="persName_f1003d52-26de-4432-b375-b88f5597e5eb">your sons<name key="PSN0109574" style="hidden">Attwood, George (1795-1884)</name><name key="PSN0109577" style="hidden">Attwood, William</name></persName>. Are they sometimes all with you?</p></div></body> </text></TEI>